Latest Update: Impact of current COVID-19 situation has been considered in this report while making the analysis.
Global Music Distribution Services Market by Type (Distributor to Digital Retailers, Artist-to-Fan), By Application (Independent Music Producers, Record Companies) and Region (North America, Latin America, Europe, Asia Pacific and Middle East & Africa), Forecast From 2022 To 2030-report

Global Music Distribution Services Market by Type (Distributor to Digital Retailers, Artist-to-Fan), By Application (Independent Music Producers, Record Companies) and Region (North America, Latin America, Europe, Asia Pacific and Middle East & Africa), Forecast From 2022 To 2030

Report ID: 360853 4200 Service & Software 377 243 Pages 4.8 (44)
                                          

Industry Growth Insights published a new data on “Music Distribution Services Market”. The research report is titled “Music Distribution Services Market research by Types (Distributor to Digital Retailers, Artist-to-Fan), By Applications (Independent Music Producers, Record Companies), By Players/Companies CD Baby (Disc Makers), Distrokid, ReverbNation, LANDR Audio, Believe, RouteNote, ONErpm, Ditto Music, FreshTunes, Musicinfo, Record Union, Spinnup (Universal Music Group), Kobalt, United Masters, Amuse, Octiive, Symphonic Distribution (Topple Track), iMusician Digital, The Orchard (SONY), Horus Music, Kanjian Music, iMusicaCorp”.

Scope Of The Report

Report Attributes

Report Details

Report Title

Music Distribution Services Market Research Report

By Type

Distributor to Digital Retailers, Artist-to-Fan

By Application

Independent Music Producers, Record Companies

By Companies

CD Baby (Disc Makers), Distrokid, ReverbNation, LANDR Audio, Believe, RouteNote, ONErpm, Ditto Music, FreshTunes, Musicinfo, Record Union, Spinnup (Universal Music Group), Kobalt, United Masters, Amuse, Octiive, Symphonic Distribution (Topple Track), iMusician Digital, The Orchard (SONY), Horus Music, Kanjian Music, iMusicaCorp

Regions Covered

North America, Europe, APAC, Latin America, MEA

Base Year

2021

Historical Year

2019 to 2020 (Data from 2010 can be provided as per availability)

Forecast Year

2030

Number of Pages

243

Number of Tables & Figures

171

Customization Available

Yes, the report can be customized as per your need.


Global Music Distribution Services Industry Outlook


Global Music Distribution Services Market Report Segments:

The global Music Distribution Services market is segmented on the basis of:

Types

Distributor to Digital Retailers, Artist-to-Fan

The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.

Applications

Independent Music Producers, Record Companies

The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.

Some of the companies that are profiled in this report are:

  1. CD Baby (Disc Makers)
  2. Distrokid
  3. ReverbNation
  4. LANDR Audio
  5. Believe
  6. RouteNote
  7. ONErpm
  8. Ditto Music
  9. FreshTunes
  10. Musicinfo
  11. Record Union
  12. Spinnup (Universal Music Group)
  13. Kobalt
  14. United Masters
  15. Amuse
  16. Octiive
  17. Symphonic Distribution (Topple Track)
  18. iMusician Digital
  19. The Orchard (SONY)
  20. Horus Music
  21. Kanjian Music
  22. iMusicaCorp

Global Music Distribution Services Market Overview


Highlights of The Music Distribution Services Market Report:

  1. The market structure and projections for the coming years.
  2. Drivers, restraints, opportunities, and current trends of market.
  3. Historical data and forecast.
  4. Estimations for the forecast period 2030.
  5. Developments and trends in the market.
  6. By Type:

    1. Distributor to Digital Retailers
    2. Artist-to-Fan
  1. By Application:

    1. Independent Music Producers
    2. Record Companies
  1. Market scenario by region, sub-region, and country.
  2. Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
  3. Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
  4. Government Policies, Macro & Micro economic factors are also included in the report.

We have studied the Music Distribution Services Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.

Regional Analysis

  • North America
  • Europe
  • Asia Pacific
  • Middle East & Africa
  • Latin America

Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.

The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.

How you may use our products:

  • Correctly Positioning New Products
  • Market Entry Strategies
  • Business Expansion Strategies
  • Consumer Insights
  • Understanding Competition Scenario
  • Product & Brand Management
  • Channel & Customer Management
  • Identifying Appropriate Advertising Appeals

Global Music Distribution Services Market Statistics

8 Reasons to Buy This Report

  1. Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
  2. Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
  3. Implemented Robust Methodology to Prepare the Report
  4. Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
  5. Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
  6. Provides Information About the Top-winning Strategies Implemented by Industry Players.
  7. In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
  8. Customization of the Report Available

Frequently Asked Questions?


Music distribution services are a type of business that help musicians and music labels distribute their music to the public. Distribution services can include things like digital downloads, streaming, and CD sales.

Some of the major companies in the music distribution services market are CD Baby (Disc Makers), Distrokid, ReverbNation, LANDR Audio, Believe, RouteNote, ONErpm, Ditto Music, FreshTunes, Musicinfo, Record Union, Spinnup (Universal Music Group), Kobalt, United Masters, Amuse, Octiive, Symphonic Distribution (Topple Track), iMusician Digital, The Orchard (SONY), Horus Music, Kanjian Music, iMusicaCorp.

                                            
Chapter 1 Executive Summary
Chapter 2 Assumptions and Acronyms Used
Chapter 3 Research Methodology
Chapter 4 Music Distribution Services Market Overview    4.1 Introduction       4.1.1 Market Taxonomy       4.1.2 Market Definition       4.1.3 Macro-Economic Factors Impacting the Market Growth    4.2 Music Distribution Services Market Dynamics       4.2.1 Market Drivers       4.2.2 Market Restraints       4.2.3 Market Opportunity    4.3 Music Distribution Services Market - Supply Chain Analysis       4.3.1 List of Key Suppliers       4.3.2 List of Key Distributors       4.3.3 List of Key Consumers    4.4 Key Forces Shaping the Music Distribution Services Market       4.4.1 Bargaining Power of Suppliers       4.4.2 Bargaining Power of Buyers       4.4.3 Threat of Substitution       4.4.4 Threat of New Entrants       4.4.5 Competitive Rivalry    4.5 Global Music Distribution Services Market Size & Forecast, 2020-2028       4.5.1 Music Distribution Services Market Size and Y-o-Y Growth       4.5.2 Music Distribution Services Market Absolute $ Opportunity

Chapter 5 Global  Market Analysis and Forecast by Type
   5.1 Introduction
      5.1.1 Key Market Trends & Growth Opportunities by Type
      5.1.2 Basis Point Share (BPS) Analysis by Type
      5.1.3 Absolute $ Opportunity Assessment by Type
   5.2  Market Size Forecast by Type
      5.2.1 Distributor to Digital Retailers
      5.2.2 Artist-to-Fan
   5.3 Market Attractiveness Analysis by Type

Chapter 6 Global  Market Analysis and Forecast by Applications
   6.1 Introduction
      6.1.1 Key Market Trends & Growth Opportunities by Applications
      6.1.2 Basis Point Share (BPS) Analysis by Applications
      6.1.3 Absolute $ Opportunity Assessment by Applications
   6.2  Market Size Forecast by Applications
      6.2.1 Independent Music Producers
      6.2.2 Record Companies
   6.3 Market Attractiveness Analysis by Applications

Chapter 7 Global Music Distribution Services Market Analysis and Forecast by Region
   7.1 Introduction
      7.1.1 Key Market Trends & Growth Opportunities by Region
      7.1.2 Basis Point Share (BPS) Analysis by Region
      7.1.3 Absolute $ Opportunity Assessment by Region
   7.2 Music Distribution Services Market Size Forecast by Region
      7.2.1 North America
      7.2.2 Europe
      7.2.3 Asia Pacific
      7.2.4 Latin America
      7.2.5 Middle East & Africa (MEA)
   7.3 Market Attractiveness Analysis by Region

Chapter 8 Coronavirus Disease (COVID-19) Impact 
   8.1 Introduction 
   8.2 Current & Future Impact Analysis 
   8.3 Economic Impact Analysis 
   8.4 Government Policies 
   8.5 Investment Scenario

Chapter 9 North America  Analysis and Forecast
   9.1 Introduction
   9.2 North America  Market Size Forecast by Country
      9.2.1 U.S.
      9.2.2 Canada
   9.3 Basis Point Share (BPS) Analysis by Country
   9.4 Absolute $ Opportunity Assessment by Country
   9.5 Market Attractiveness Analysis by Country
   9.6 North America  Market Size Forecast by Type
      9.6.1 Distributor to Digital Retailers
      9.6.2 Artist-to-Fan
   9.7 Basis Point Share (BPS) Analysis by Type 
   9.8 Absolute $ Opportunity Assessment by Type 
   9.9 Market Attractiveness Analysis by Type
   9.10 North America  Market Size Forecast by Applications
      9.10.1 Independent Music Producers
      9.10.2 Record Companies
   9.11 Basis Point Share (BPS) Analysis by Applications 
   9.12 Absolute $ Opportunity Assessment by Applications 
   9.13 Market Attractiveness Analysis by Applications

Chapter 10 Europe  Analysis and Forecast
   10.1 Introduction
   10.2 Europe  Market Size Forecast by Country
      10.2.1 Germany
      10.2.2 France
      10.2.3 Italy
      10.2.4 U.K.
      10.2.5 Spain
      10.2.6 Russia
      10.2.7 Rest of Europe
   10.3 Basis Point Share (BPS) Analysis by Country
   10.4 Absolute $ Opportunity Assessment by Country
   10.5 Market Attractiveness Analysis by Country
   10.6 Europe  Market Size Forecast by Type
      10.6.1 Distributor to Digital Retailers
      10.6.2 Artist-to-Fan
   10.7 Basis Point Share (BPS) Analysis by Type 
   10.8 Absolute $ Opportunity Assessment by Type 
   10.9 Market Attractiveness Analysis by Type
   10.10 Europe  Market Size Forecast by Applications
      10.10.1 Independent Music Producers
      10.10.2 Record Companies
   10.11 Basis Point Share (BPS) Analysis by Applications 
   10.12 Absolute $ Opportunity Assessment by Applications 
   10.13 Market Attractiveness Analysis by Applications

Chapter 11 Asia Pacific  Analysis and Forecast
   11.1 Introduction
   11.2 Asia Pacific  Market Size Forecast by Country
      11.2.1 China
      11.2.2 Japan
      11.2.3 South Korea
      11.2.4 India
      11.2.5 Australia
      11.2.6 South East Asia (SEA)
      11.2.7 Rest of Asia Pacific (APAC)
   11.3 Basis Point Share (BPS) Analysis by Country
   11.4 Absolute $ Opportunity Assessment by Country
   11.5 Market Attractiveness Analysis by Country
   11.6 Asia Pacific  Market Size Forecast by Type
      11.6.1 Distributor to Digital Retailers
      11.6.2 Artist-to-Fan
   11.7 Basis Point Share (BPS) Analysis by Type 
   11.8 Absolute $ Opportunity Assessment by Type 
   11.9 Market Attractiveness Analysis by Type
   11.10 Asia Pacific  Market Size Forecast by Applications
      11.10.1 Independent Music Producers
      11.10.2 Record Companies
   11.11 Basis Point Share (BPS) Analysis by Applications 
   11.12 Absolute $ Opportunity Assessment by Applications 
   11.13 Market Attractiveness Analysis by Applications

Chapter 12 Latin America  Analysis and Forecast
   12.1 Introduction
   12.2 Latin America  Market Size Forecast by Country
      12.2.1 Brazil
      12.2.2 Mexico
      12.2.3 Rest of Latin America (LATAM)
   12.3 Basis Point Share (BPS) Analysis by Country
   12.4 Absolute $ Opportunity Assessment by Country
   12.5 Market Attractiveness Analysis by Country
   12.6 Latin America  Market Size Forecast by Type
      12.6.1 Distributor to Digital Retailers
      12.6.2 Artist-to-Fan
   12.7 Basis Point Share (BPS) Analysis by Type 
   12.8 Absolute $ Opportunity Assessment by Type 
   12.9 Market Attractiveness Analysis by Type
   12.10 Latin America  Market Size Forecast by Applications
      12.10.1 Independent Music Producers
      12.10.2 Record Companies
   12.11 Basis Point Share (BPS) Analysis by Applications 
   12.12 Absolute $ Opportunity Assessment by Applications 
   12.13 Market Attractiveness Analysis by Applications

Chapter 13 Middle East & Africa (MEA)  Analysis and Forecast
   13.1 Introduction
   13.2 Middle East & Africa (MEA)  Market Size Forecast by Country
      13.2.1 Saudi Arabia
      13.2.2 South Africa
      13.2.3 UAE
      13.2.4 Rest of Middle East & Africa (MEA)
   13.3 Basis Point Share (BPS) Analysis by Country
   13.4 Absolute $ Opportunity Assessment by Country
   13.5 Market Attractiveness Analysis by Country
   13.6 Middle East & Africa (MEA)  Market Size Forecast by Type
      13.6.1 Distributor to Digital Retailers
      13.6.2 Artist-to-Fan
   13.7 Basis Point Share (BPS) Analysis by Type 
   13.8 Absolute $ Opportunity Assessment by Type 
   13.9 Market Attractiveness Analysis by Type
   13.10 Middle East & Africa (MEA)  Market Size Forecast by Applications
      13.10.1 Independent Music Producers
      13.10.2 Record Companies
   13.11 Basis Point Share (BPS) Analysis by Applications 
   13.12 Absolute $ Opportunity Assessment by Applications 
   13.13 Market Attractiveness Analysis by Applications

Chapter 14 Competition Landscape 
   14.1 Music Distribution Services Market: Competitive Dashboard
   14.2 Global Music Distribution Services Market: Market Share Analysis, 2019
   14.3 Company Profiles (Details – Overview, Financials, Developments, Strategy) 
      14.3.1 CD Baby (Disc Makers)
      14.3.2 Distrokid
      14.3.3 ReverbNation
      14.3.4 LANDR Audio
      14.3.5 Believe
      14.3.6 RouteNote
      14.3.7 ONErpm
      14.3.8 Ditto Music
      14.3.9 FreshTunes
      14.3.10 Musicinfo
      14.3.11 Record Union
      14.3.12 Spinnup (Universal Music Group)
      14.3.13 Kobalt
      14.3.14 United Masters
      14.3.15 Amuse
      14.3.16 Octiive
      14.3.17 Symphonic Distribution (Topple Track)
      14.3.18 iMusician Digital
      14.3.19 The Orchard (SONY)
      14.3.20 Horus Music
      14.3.21 Kanjian Music
      14.3.22 iMusicaCorp

Our Trusted Clients

Contact Us