Market Overview:
The global training dancewear market is expected to grow at a CAGR of 5.5% from 2018 to 2030. The market growth is attributed to the increasing demand for dancewear in schools, theatres, TV and film productions, and other applications. In terms of type, the women's dancewear segment is expected to dominate the market during the forecast period owing to its growing popularity among dancers across all age groups. In terms of region, North America is expected to lead the global training dancewear market during the forecast period followed by Europe and Asia Pacific.
Product Definition:
Training dancewear is clothing worn by dancers during training. It is usually more comfortable and less restrictive than performance wear.
Women's Dancewear:
Women's dancewear is clothing which is designed for women to perform some kind of physical activity. It can be used in many different kinds of activities such as aerobic classes, salsa, tango, ballroom dancing and much more. The growth factor in the market for women's dancewear is increasing awareness among people that it also helps them improve their confidence level and self-esteem by participating actively in sports and other recreational activities.
Men's Dancewear:
Men's dancewear is clothing used by men for physical exercise or for performing a particular skill. It can be categorized into two types: active wear and training wear. The difference between the two is that during an activity such as running, cycling, etc., the sweat generated by the body helps keep cool whereas in case of hot temperatures, additional clothing (trainers) helps maintain a comfortable temperature.
The global market size was valued at USD 2 billion in 2015.
Application Insights:
Theatre application dominated the global training dancewear market in 2017, accounting for over 40% of the overall revenue. The segment is expected to continue its dominance over the forecast period owing to factors such as increasing number of performances and tours by theatre artists, which has resulted in increased demand for stage wear.
TV and film application is projected to witness a CAGR of XX% from 2018 to 2030 owing to rising demand from TV shows and films that require professional wardrobe designers use authentic costumes for filming or live performance purposes. Moreover, TV series such as Game Of Thrones have introduced realistic sword fights that involve fencing with wooden swords on screen which has boosted product sales even more among fans worldwide who are looking for suitable products based on their favourite TV show characters.
Regional Analysis:
Asia Pacific is anticipated to be the fastest growing regional market with a CAGR of XX% from 2018 to 2030 owing to increasing number of competitions and performances in countries such as China, Japan, India, and Australia. Furthermore, rising popularity of various dances such as hip-hop dance and salsa in this region will drive the demand further. Latin America is also expected to witness significant growth over the forecast period owing to increasing number of competitions on television coupled with rising popularity for salsa music which drives consumer spending on international training wear brands. Europe has been dominating the global market due its high concentration of fashion houses that designs fashionable apparels for different occasions including corporate as well as social dancing.- For instance; G-Star RAW was launched in 1994 by Gary Goeldi Jr.,and it is one among the world’s leading designer label for professional dancers worldwide.
Growth Factors:
- Increasing demand for dance as a form of exercise and art
- Growing popularity of dance competitions and shows
- Rising number of dance schools and training academies
- Proliferation of online tutorials and video lessons on dancing
- Popularity of celebrity dancers
Scope Of The Report
Report Attributes
Report Details
Report Title
Training Dancewear Market Research Report
By Type
Women's Dancewear, Men's Dancewear, Kids' Dancewear
By Application
Schools, Theatre, TV and Film, Others
By Companies
Repetto(France), Capezio(USA), Yumiko(USA), MirellA(USA), Move Dancewear(UK), Bloch(UK), Capezio(USA), WearMoi (USA), Grishko(USA), Danskin (USA), Repetto(France), SoDancA(Brazil), Kinney(USA), Papillon (Netherlands), SFDancewear(USA), Lulli (Israel), RedRain InternationalGroup (China), The RedShoes (USA), Dansgirl(China), Dttrol (China)
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
164
Number of Tables & Figures
115
Customization Available
Yes, the report can be customized as per your need.
Global Training Dancewear Market Report Segments:
The global Training Dancewear market is segmented on the basis of:
Types
Women's Dancewear, Men's Dancewear, Kids' Dancewear
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Schools, Theatre, TV and Film, Others
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- Repetto(France)
- Capezio(USA)
- Yumiko(USA)
- MirellA(USA)
- Move Dancewear(UK)
- Bloch(UK)
- Capezio(USA)
- WearMoi (USA)
- Grishko(USA)
- Danskin (USA)
- Repetto(France)
- SoDancA(Brazil)
- Kinney(USA)
- Papillon (Netherlands)
- SFDancewear(USA)
- Lulli (Israel)
- RedRain InternationalGroup (China)
- The RedShoes (USA)
- Dansgirl(China)
- Dttrol (China)
Highlights of The Training Dancewear Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Women's Dancewear
- Men's Dancewear
- Kids' Dancewear
- By Application:
- Schools
- Theatre
- TV and Film
- Others
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the Training Dancewear Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
How you may use our products:
- Correctly Positioning New Products
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- Product & Brand Management
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
Training dancewear is clothing specifically designed for dancers. It can be anything from leotards and tights to skirts and blouses.
Some of the major players in the training dancewear market are Repetto(France), Capezio(USA), Yumiko(USA), MirellA(USA), Move Dancewear(UK), Bloch(UK), Capezio(USA), WearMoi (USA), Grishko(USA), Danskin (USA), Repetto(France), SoDancA(Brazil), Kinney(USA), Papillon (Netherlands), SFDancewear(USA), Lulli (Israel), RedRain InternationalGroup (China), The RedShoes (USA), Dansgirl(China), Dttrol (China).
The training dancewear market is expected to grow at a compound annual growth rate of 5.5%.
Chapter 1 Executive Summary
Chapter 2 Assumptions and Acronyms Used
Chapter 3 Research Methodology
Chapter 4 Training Dancewear Market Overview
4.1 Introduction
4.1.1 Market Taxonomy
4.1.2 Market Definition
4.1.3 Macro-Economic Factors Impacting the Market Growth
4.2 Training Dancewear Market Dynamics
4.2.1 Market Drivers
4.2.2 Market Restraints
4.2.3 Market Opportunity
4.3 Training Dancewear Market - Supply Chain Analysis
4.3.1 List of Key Suppliers
4.3.2 List of Key Distributors
4.3.3 List of Key Consumers
4.4 Key Forces Shaping the Training Dancewear Market
4.4.1 Bargaining Power of Suppliers
4.4.2 Bargaining Power of Buyers
4.4.3 Threat of Substitution
4.4.4 Threat of New Entrants
4.4.5 Competitive Rivalry
4.5 Global Training Dancewear Market Size & Forecast, 2020-2028
4.5.1 Training Dancewear Market Size and Y-o-Y Growth
4.5.2 Training Dancewear Market Absolute $ Opportunity
Chapter 5 Global Market Analysis and Forecast by Type
5.1 Introduction
5.1.1 Key Market Trends & Growth Opportunities by Type
5.1.2 Basis Point Share (BPS) Analysis by Type
5.1.3 Absolute $ Opportunity Assessment by Type
5.2 Market Size Forecast by Type
5.2.1 Women's Dancewear
5.2.2 Men's Dancewear
5.2.3 Kids' Dancewear
5.3 Market Attractiveness Analysis by Type
Chapter 6 Global Market Analysis and Forecast by Applications
6.1 Introduction
6.1.1 Key Market Trends & Growth Opportunities by Applications
6.1.2 Basis Point Share (BPS) Analysis by Applications
6.1.3 Absolute $ Opportunity Assessment by Applications
6.2 Market Size Forecast by Applications
6.2.1 Schools
6.2.2 Theatre
6.2.3 TV and Film
6.2.4 Others
6.3 Market Attractiveness Analysis by Applications
Chapter 7 Global Training Dancewear Market Analysis and Forecast by Region
7.1 Introduction
7.1.1 Key Market Trends & Growth Opportunities by Region
7.1.2 Basis Point Share (BPS) Analysis by Region
7.1.3 Absolute $ Opportunity Assessment by Region
7.2 Training Dancewear Market Size Forecast by Region
7.2.1 North America
7.2.2 Europe
7.2.3 Asia Pacific
7.2.4 Latin America
7.2.5 Middle East & Africa (MEA)
7.3 Market Attractiveness Analysis by Region
Chapter 8 Coronavirus Disease (COVID-19) Impact
8.1 Introduction
8.2 Current & Future Impact Analysis
8.3 Economic Impact Analysis
8.4 Government Policies
8.5 Investment Scenario
Chapter 9 North America Analysis and Forecast
9.1 Introduction
9.2 North America Market Size Forecast by Country
9.2.1 U.S.
9.2.2 Canada
9.3 Basis Point Share (BPS) Analysis by Country
9.4 Absolute $ Opportunity Assessment by Country
9.5 Market Attractiveness Analysis by Country
9.6 North America Market Size Forecast by Type
9.6.1 Women's Dancewear
9.6.2 Men's Dancewear
9.6.3 Kids' Dancewear
9.7 Basis Point Share (BPS) Analysis by Type
9.8 Absolute $ Opportunity Assessment by Type
9.9 Market Attractiveness Analysis by Type
9.10 North America Market Size Forecast by Applications
9.10.1 Schools
9.10.2 Theatre
9.10.3 TV and Film
9.10.4 Others
9.11 Basis Point Share (BPS) Analysis by Applications
9.12 Absolute $ Opportunity Assessment by Applications
9.13 Market Attractiveness Analysis by Applications
Chapter 10 Europe Analysis and Forecast
10.1 Introduction
10.2 Europe Market Size Forecast by Country
10.2.1 Germany
10.2.2 France
10.2.3 Italy
10.2.4 U.K.
10.2.5 Spain
10.2.6 Russia
10.2.7 Rest of Europe
10.3 Basis Point Share (BPS) Analysis by Country
10.4 Absolute $ Opportunity Assessment by Country
10.5 Market Attractiveness Analysis by Country
10.6 Europe Market Size Forecast by Type
10.6.1 Women's Dancewear
10.6.2 Men's Dancewear
10.6.3 Kids' Dancewear
10.7 Basis Point Share (BPS) Analysis by Type
10.8 Absolute $ Opportunity Assessment by Type
10.9 Market Attractiveness Analysis by Type
10.10 Europe Market Size Forecast by Applications
10.10.1 Schools
10.10.2 Theatre
10.10.3 TV and Film
10.10.4 Others
10.11 Basis Point Share (BPS) Analysis by Applications
10.12 Absolute $ Opportunity Assessment by Applications
10.13 Market Attractiveness Analysis by Applications
Chapter 11 Asia Pacific Analysis and Forecast
11.1 Introduction
11.2 Asia Pacific Market Size Forecast by Country
11.2.1 China
11.2.2 Japan
11.2.3 South Korea
11.2.4 India
11.2.5 Australia
11.2.6 South East Asia (SEA)
11.2.7 Rest of Asia Pacific (APAC)
11.3 Basis Point Share (BPS) Analysis by Country
11.4 Absolute $ Opportunity Assessment by Country
11.5 Market Attractiveness Analysis by Country
11.6 Asia Pacific Market Size Forecast by Type
11.6.1 Women's Dancewear
11.6.2 Men's Dancewear
11.6.3 Kids' Dancewear
11.7 Basis Point Share (BPS) Analysis by Type
11.8 Absolute $ Opportunity Assessment by Type
11.9 Market Attractiveness Analysis by Type
11.10 Asia Pacific Market Size Forecast by Applications
11.10.1 Schools
11.10.2 Theatre
11.10.3 TV and Film
11.10.4 Others
11.11 Basis Point Share (BPS) Analysis by Applications
11.12 Absolute $ Opportunity Assessment by Applications
11.13 Market Attractiveness Analysis by Applications
Chapter 12 Latin America Analysis and Forecast
12.1 Introduction
12.2 Latin America Market Size Forecast by Country
12.2.1 Brazil
12.2.2 Mexico
12.2.3 Rest of Latin America (LATAM)
12.3 Basis Point Share (BPS) Analysis by Country
12.4 Absolute $ Opportunity Assessment by Country
12.5 Market Attractiveness Analysis by Country
12.6 Latin America Market Size Forecast by Type
12.6.1 Women's Dancewear
12.6.2 Men's Dancewear
12.6.3 Kids' Dancewear
12.7 Basis Point Share (BPS) Analysis by Type
12.8 Absolute $ Opportunity Assessment by Type
12.9 Market Attractiveness Analysis by Type
12.10 Latin America Market Size Forecast by Applications
12.10.1 Schools
12.10.2 Theatre
12.10.3 TV and Film
12.10.4 Others
12.11 Basis Point Share (BPS) Analysis by Applications
12.12 Absolute $ Opportunity Assessment by Applications
12.13 Market Attractiveness Analysis by Applications
Chapter 13 Middle East & Africa (MEA) Analysis and Forecast
13.1 Introduction
13.2 Middle East & Africa (MEA) Market Size Forecast by Country
13.2.1 Saudi Arabia
13.2.2 South Africa
13.2.3 UAE
13.2.4 Rest of Middle East & Africa (MEA)
13.3 Basis Point Share (BPS) Analysis by Country
13.4 Absolute $ Opportunity Assessment by Country
13.5 Market Attractiveness Analysis by Country
13.6 Middle East & Africa (MEA) Market Size Forecast by Type
13.6.1 Women's Dancewear
13.6.2 Men's Dancewear
13.6.3 Kids' Dancewear
13.7 Basis Point Share (BPS) Analysis by Type
13.8 Absolute $ Opportunity Assessment by Type
13.9 Market Attractiveness Analysis by Type
13.10 Middle East & Africa (MEA) Market Size Forecast by Applications
13.10.1 Schools
13.10.2 Theatre
13.10.3 TV and Film
13.10.4 Others
13.11 Basis Point Share (BPS) Analysis by Applications
13.12 Absolute $ Opportunity Assessment by Applications
13.13 Market Attractiveness Analysis by Applications
Chapter 14 Competition Landscape
14.1 Training Dancewear Market: Competitive Dashboard
14.2 Global Training Dancewear Market: Market Share Analysis, 2019
14.3 Company Profiles (Details – Overview, Financials, Developments, Strategy)
14.3.1 Repetto(France)
14.3.2 Capezio(USA)
14.3.3 Yumiko(USA)
14.3.4 MirellA(USA)
14.3.5 Move Dancewear(UK)
14.3.6 Bloch(UK)
14.3.7 Capezio(USA)
14.3.8 WearMoi (USA)
14.3.9 Grishko(USA)
14.3.10 Danskin (USA)
14.3.11 Repetto(France)
14.3.12 SoDancA(Brazil)
14.3.13 Kinney(USA)
14.3.14 Papillon (Netherlands)
14.3.15 SFDancewear(USA)
14.3.16 Lulli (Israel)
14.3.17 RedRain InternationalGroup (China)
14.3.18 The RedShoes (USA)
14.3.19 Dansgirl(China)
14.3.20 Dttrol (China)
