Market Overview:
The Global Upright Basses Market is expected to grow at a CAGR of 5.5% during the forecast period from 2018 to 2030. The acoustic upright basses segment is expected to dominate the market in terms of revenue share during the forecast period, owing to their popularity among professional musicians. However, electric upright basses are gaining traction among amateur musicians and are expected to witness high growth rates during the forecast period. In terms of application, the professional segment is expected to account for a majority of the market share in terms of revenue during the forecast period. This can be attributed primarily to rising demand for upright basses from orchestras and other music ensembles around the world.
Product Definition:
An upright bass is a type of stringed instrument that is typically played with a bow. It has a large, deep body that resembles a traditional cello. Upright basses are used in many different types of music, including classical, jazz, and bluegrass.
Acoustic Upright Basses:
Acoustic upright basses are acoustic instruments that produce sound by the vibration of the strings. They are similar to electric upright basses, but they lack a pickup and usually have less amplification. The most common types of acoustic upright basses include four, five and six string models.
Electric Upright Basses:
Electric upright basses are musical instruments that consist of a body made up of either wood or metal, and a neck with frets. The instrument is similar to an acoustic upright bass in appearance and construction, but it has an electric amplification system built into the guitar body. Electric upright basses are generally played with two "sticks", one for playing the notes using fingers (plectrum) or with the bow (harp), and another for providing rhythm (tam-tam).
Application Insights:
The professional application segment held the largest share of over 70.0% in 2017. The segment is further subdivided into two sub-segments, namely studio and live performances. Studio performance upright basses are preferred for playing jazz music as it produces a more authentic sound than their electric counterparts, especially when played with an acoustic guitar or piano accompaniment. Live performance upright basses are commonly used in orchestras, bands and other live performances where a full sound reinforcement is required to provide the best musical experience to audiences worldwide.
Upright bass has been one of the most popular instruments among rock & roll musicians due to its ability to produce deep booming sounds that can fill large rooms easily without feedback problems common with electric guitars or drums kits at clubs.
Regional Analysis:
North America dominated the global market in 2017. The region is expected to retain its dominance throughout the forecast period owing to high demand for musical instruments and rising number of music concerts held in U.S. Furthermore, presence of a large number of manufacturers coupled with growing popularity of acoustic upright basses among young population is driving the regional market growth.
Asia Pacific is anticipated to be the fastest-growing regional market from 2018 to 2030 due to increasing awareness regarding benefits associated with musical instruments and rising disposable income especially in China and India are some factors that can be attributed for rapid growth in this region. Moreover, supportive government initiatives encouraging people participation in sports activities are also expected drive product demand over next eight years or so as governments across various countries including China, Australia have started supporting these initiatives by providing subsidies on equipment purchase or rental fees etc.
Growth Factors:
- Increasing demand from the emerging countries
- Growing popularity of up-and-coming artists who use upright bass in their music
- Rising disposable income of the population, especially in the developing countries
- Technological advancements that have made upright basses more affordable and easier to play
- Increased focus on health and fitness, which has led to an increase in demand for acoustic instruments such as upright basses
Scope Of The Report
Report Attributes
Report Details
Report Title
Upright Basses Market Research Report
By Type
Acoustic Upright Basses, Electric Upright Basses
By Application
Professional, Amateur
By Companies
Boomwhackers, Graph Tech, eMedia, Gator, Dean Guitars, Kepma, PYLON, Shen Xin, SAGA, Academie, Boomwhackers, Bellafina, Cremona, J. LaSalle, Maharaja Musicals, Merano, NS Design, Palatino, Stagg Music, D'Addario, Astraea, DBAO, Lovebird, OLLICE, Prefox
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
144
Number of Tables & Figures
101
Customization Available
Yes, the report can be customized as per your need.
Global Upright Basses Market Report Segments:
The global Upright Basses market is segmented on the basis of:
Types
Acoustic Upright Basses, Electric Upright Basses
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Professional, Amateur
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- Boomwhackers
- Graph Tech
- eMedia
- Gator
- Dean Guitars
- Kepma
- PYLON
- Shen Xin
- SAGA
- Academie
- Boomwhackers
- Bellafina
- Cremona
- J. LaSalle
- Maharaja Musicals
- Merano
- NS Design
- Palatino
- Stagg Music
- D'Addario
- Astraea
- DBAO
- Lovebird
- OLLICE
- Prefox
Highlights of The Upright Basses Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Acoustic Upright Basses
- Electric Upright Basses
- By Application:
- Professional
- Amateur
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the Upright Basses Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
How you may use our products:
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
Upright basses are a type of bass guitar that has its strings at an angle, rather than perpendicular to the neck. This allows for a more comfortable playing position and increased range of motion.
Some of the major players in the upright basses market are Boomwhackers, Graph Tech, eMedia, Gator, Dean Guitars, Kepma, PYLON, Shen Xin, SAGA, Academie, Boomwhackers, Bellafina, Cremona, J. LaSalle, Maharaja Musicals, Merano, NS Design, Palatino, Stagg Music, D'Addario, Astraea, DBAO, Lovebird, OLLICE, Prefox.
The upright basses market is expected to grow at a compound annual growth rate of 5.5%.
Chapter 1 Executive Summary
Chapter 2 Assumptions and Acronyms Used
Chapter 3 Research Methodology
Chapter 4 Upright Basses Market Overview
4.1 Introduction
4.1.1 Market Taxonomy
4.1.2 Market Definition
4.1.3 Macro-Economic Factors Impacting the Market Growth
4.2 Upright Basses Market Dynamics
4.2.1 Market Drivers
4.2.2 Market Restraints
4.2.3 Market Opportunity
4.3 Upright Basses Market - Supply Chain Analysis
4.3.1 List of Key Suppliers
4.3.2 List of Key Distributors
4.3.3 List of Key Consumers
4.4 Key Forces Shaping the Upright Basses Market
4.4.1 Bargaining Power of Suppliers
4.4.2 Bargaining Power of Buyers
4.4.3 Threat of Substitution
4.4.4 Threat of New Entrants
4.4.5 Competitive Rivalry
4.5 Global Upright Basses Market Size & Forecast, 2020-2028
4.5.1 Upright Basses Market Size and Y-o-Y Growth
4.5.2 Upright Basses Market Absolute $ Opportunity
Chapter 5 Global Market Analysis and Forecast by Type
5.1 Introduction
5.1.1 Key Market Trends & Growth Opportunities by Type
5.1.2 Basis Point Share (BPS) Analysis by Type
5.1.3 Absolute $ Opportunity Assessment by Type
5.2 Market Size Forecast by Type
5.2.1 Acoustic Upright Basses
5.2.2 Electric Upright Basses
5.3 Market Attractiveness Analysis by Type
Chapter 6 Global Market Analysis and Forecast by Applications
6.1 Introduction
6.1.1 Key Market Trends & Growth Opportunities by Applications
6.1.2 Basis Point Share (BPS) Analysis by Applications
6.1.3 Absolute $ Opportunity Assessment by Applications
6.2 Market Size Forecast by Applications
6.2.1 Professional
6.2.2 Amateur
6.3 Market Attractiveness Analysis by Applications
Chapter 7 Global Upright Basses Market Analysis and Forecast by Region
7.1 Introduction
7.1.1 Key Market Trends & Growth Opportunities by Region
7.1.2 Basis Point Share (BPS) Analysis by Region
7.1.3 Absolute $ Opportunity Assessment by Region
7.2 Upright Basses Market Size Forecast by Region
7.2.1 North America
7.2.2 Europe
7.2.3 Asia Pacific
7.2.4 Latin America
7.2.5 Middle East & Africa (MEA)
7.3 Market Attractiveness Analysis by Region
Chapter 8 Coronavirus Disease (COVID-19) Impact
8.1 Introduction
8.2 Current & Future Impact Analysis
8.3 Economic Impact Analysis
8.4 Government Policies
8.5 Investment Scenario
Chapter 9 North America Analysis and Forecast
9.1 Introduction
9.2 North America Market Size Forecast by Country
9.2.1 U.S.
9.2.2 Canada
9.3 Basis Point Share (BPS) Analysis by Country
9.4 Absolute $ Opportunity Assessment by Country
9.5 Market Attractiveness Analysis by Country
9.6 North America Market Size Forecast by Type
9.6.1 Acoustic Upright Basses
9.6.2 Electric Upright Basses
9.7 Basis Point Share (BPS) Analysis by Type
9.8 Absolute $ Opportunity Assessment by Type
9.9 Market Attractiveness Analysis by Type
9.10 North America Market Size Forecast by Applications
9.10.1 Professional
9.10.2 Amateur
9.11 Basis Point Share (BPS) Analysis by Applications
9.12 Absolute $ Opportunity Assessment by Applications
9.13 Market Attractiveness Analysis by Applications
Chapter 10 Europe Analysis and Forecast
10.1 Introduction
10.2 Europe Market Size Forecast by Country
10.2.1 Germany
10.2.2 France
10.2.3 Italy
10.2.4 U.K.
10.2.5 Spain
10.2.6 Russia
10.2.7 Rest of Europe
10.3 Basis Point Share (BPS) Analysis by Country
10.4 Absolute $ Opportunity Assessment by Country
10.5 Market Attractiveness Analysis by Country
10.6 Europe Market Size Forecast by Type
10.6.1 Acoustic Upright Basses
10.6.2 Electric Upright Basses
10.7 Basis Point Share (BPS) Analysis by Type
10.8 Absolute $ Opportunity Assessment by Type
10.9 Market Attractiveness Analysis by Type
10.10 Europe Market Size Forecast by Applications
10.10.1 Professional
10.10.2 Amateur
10.11 Basis Point Share (BPS) Analysis by Applications
10.12 Absolute $ Opportunity Assessment by Applications
10.13 Market Attractiveness Analysis by Applications
Chapter 11 Asia Pacific Analysis and Forecast
11.1 Introduction
11.2 Asia Pacific Market Size Forecast by Country
11.2.1 China
11.2.2 Japan
11.2.3 South Korea
11.2.4 India
11.2.5 Australia
11.2.6 South East Asia (SEA)
11.2.7 Rest of Asia Pacific (APAC)
11.3 Basis Point Share (BPS) Analysis by Country
11.4 Absolute $ Opportunity Assessment by Country
11.5 Market Attractiveness Analysis by Country
11.6 Asia Pacific Market Size Forecast by Type
11.6.1 Acoustic Upright Basses
11.6.2 Electric Upright Basses
11.7 Basis Point Share (BPS) Analysis by Type
11.8 Absolute $ Opportunity Assessment by Type
11.9 Market Attractiveness Analysis by Type
11.10 Asia Pacific Market Size Forecast by Applications
11.10.1 Professional
11.10.2 Amateur
11.11 Basis Point Share (BPS) Analysis by Applications
11.12 Absolute $ Opportunity Assessment by Applications
11.13 Market Attractiveness Analysis by Applications
Chapter 12 Latin America Analysis and Forecast
12.1 Introduction
12.2 Latin America Market Size Forecast by Country
12.2.1 Brazil
12.2.2 Mexico
12.2.3 Rest of Latin America (LATAM)
12.3 Basis Point Share (BPS) Analysis by Country
12.4 Absolute $ Opportunity Assessment by Country
12.5 Market Attractiveness Analysis by Country
12.6 Latin America Market Size Forecast by Type
12.6.1 Acoustic Upright Basses
12.6.2 Electric Upright Basses
12.7 Basis Point Share (BPS) Analysis by Type
12.8 Absolute $ Opportunity Assessment by Type
12.9 Market Attractiveness Analysis by Type
12.10 Latin America Market Size Forecast by Applications
12.10.1 Professional
12.10.2 Amateur
12.11 Basis Point Share (BPS) Analysis by Applications
12.12 Absolute $ Opportunity Assessment by Applications
12.13 Market Attractiveness Analysis by Applications
Chapter 13 Middle East & Africa (MEA) Analysis and Forecast
13.1 Introduction
13.2 Middle East & Africa (MEA) Market Size Forecast by Country
13.2.1 Saudi Arabia
13.2.2 South Africa
13.2.3 UAE
13.2.4 Rest of Middle East & Africa (MEA)
13.3 Basis Point Share (BPS) Analysis by Country
13.4 Absolute $ Opportunity Assessment by Country
13.5 Market Attractiveness Analysis by Country
13.6 Middle East & Africa (MEA) Market Size Forecast by Type
13.6.1 Acoustic Upright Basses
13.6.2 Electric Upright Basses
13.7 Basis Point Share (BPS) Analysis by Type
13.8 Absolute $ Opportunity Assessment by Type
13.9 Market Attractiveness Analysis by Type
13.10 Middle East & Africa (MEA) Market Size Forecast by Applications
13.10.1 Professional
13.10.2 Amateur
13.11 Basis Point Share (BPS) Analysis by Applications
13.12 Absolute $ Opportunity Assessment by Applications
13.13 Market Attractiveness Analysis by Applications
Chapter 14 Competition Landscape
14.1 Upright Basses Market: Competitive Dashboard
14.2 Global Upright Basses Market: Market Share Analysis, 2019
14.3 Company Profiles (Details – Overview, Financials, Developments, Strategy)
14.3.1 Boomwhackers
14.3.2 Graph Tech
14.3.3 eMedia
14.3.4 Gator
14.3.5 Dean Guitars
14.3.6 Kepma
14.3.7 PYLON
14.3.8 Shen Xin
14.3.9 SAGA
14.3.10 Academie
14.3.11 Boomwhackers
14.3.12 Bellafina
14.3.13 Cremona
14.3.14 J. LaSalle
14.3.15 Maharaja Musicals
14.3.16 Merano
14.3.17 NS Design
14.3.18 Palatino
14.3.19 Stagg Music
14.3.20 D'Addario
14.3.21 Astraea
14.3.22 DBAO
14.3.23 Lovebird
14.3.24 OLLICE
14.3.25 Prefox
