Market Overview:
The global stage monitors market is expected to grow at a CAGR of 5.5% during the forecast period from 2018 to 2030. The market growth can be attributed to the increasing demand for stage monitors in various applications such as arenas, live houses, concert halls, and others. In addition, the growing popularity of music concerts and other events is also propelling the demand for stage monitors globally. The active monitor segment is expected to hold a major share of the global stage monitors market during the forecast period owing to its superior sound quality as compared to passive monitors.
Product Definition:
Stage Monitors are loudspeakers that are placed on or near the stage to provide sound for the performers. They are typically used to provide vocals and instruments with more clarity and definition than they would receive from the main PA system.
Active Monitors:
Active monitors are a type of monitor that can display images in real-time on the screen. They have several advantages over traditional or passive monitors such as high quality and reliability, which has increased their demand in recent years. Active monitors are more expensive than passive ones; however, they offer better performance and image quality, which is expected to increase its adoption rate over the forecast period.
The global stage monitors market was valued at USD 3.6 billion in 2015.
Passive Monitors:
Passive monitors are electronic devices that receive a signal from an external source and display the data on its screen. They are used in stage monitors to indicate the status of audio or video cables connected to mixing consoles, computers, VCRs or other entertainment systems.
The market for passive monitors is expected to witness significant growth over the forecast period owing to their increasing use in live performance applications such as band performances.
Application Insights:
The other application segment includes corporate events, live shows and performances, and other events. The arena type of stage monitor is expected to dominate the global market in terms of revenue as well as volume over the forecast period. Various governments have passed laws that restrict the use of loudspeakers at sports grounds, which has driven manufacturers to develop headphones for arena monitors. This factor is projected to fuel product demand during the forecast period.
Arena monitors are primarily used by sound engineers or bands at live shows or concerts for monitoring audio signals sent from mixing consoles on stage to earphones/speakers worn by audience members or performers onstage. These types of monitors are also used in various applications such as rehearsals and recording studios for monitoring sounds generated by musical instruments, vocals, drums kits among others being played through mixing consoles or direct boxes connected with them.
Regional Analysis:
North America dominated the global stage monitors market in 2017. The growth of the region can be attributed to a large number of live concerts held annually in U.S and Canada, which is anticipated to increase audience demand for high-quality audio equipment. Furthermore, rising popularity of arena shows and rising need for better sound quality at such shows are expected to drive regional growth over the forecast period.
Asia Pacific is expected to witness significant growth over the next eight years owing to increasing government initiatives pertaining toward improving entertainment infrastructure across emerging countries including China, India, Malaysia and Indonesia among others. Moreover, rapid urbanization has led audiences preferring live performances or sports events instead of traditional theater plays or concerts; thereby driving industry expansion across this region as well as other regions mentioned earlier in this paper including Latin America and Europe among others).
Growth Factors:
- Increasing demand for live music performances
- Rising number of music festivals and concerts
- Proliferation of small to mid-size stage monitor manufacturers
- Advances in audio technology and engineering
- Growing popularity of stage monitoring applications in home studios
Scope Of The Report
Report Attributes
Report Details
Report Title
Stage Monitors Market Research Report
By Type
Active Monitors, Passive Monitors
By Application
Arena, Live House, Concert Hall, Other
By Companies
dBTechnologies, Electro-Voice, Galaxy Audio, Grindhouse Speakers, JBL, Kustom Amplification, LD Systems, MUSIC Tribe Global Brands Ltd., Nady Systems, Inc., Peavey Electronics Corporation, Powerwerks, QSC, RCF, Rockville Audio, Sound Town Inc, Yamaha
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
240
Number of Tables & Figures
168
Customization Available
Yes, the report can be customized as per your need.
Global Stage Monitors Market Report Segments:
The global Stage Monitors market is segmented on the basis of:
Types
Active Monitors, Passive Monitors
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Arena, Live House, Concert Hall, Other
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- dBTechnologies
- Electro-Voice
- Galaxy Audio
- Grindhouse Speakers
- JBL
- Kustom Amplification
- LD Systems
- MUSIC Tribe Global Brands Ltd.
- Nady Systems, Inc.
- Peavey Electronics Corporation
- Powerwerks
- QSC
- RCF
- Rockville Audio
- Sound Town Inc
- Yamaha
Highlights of The Stage Monitors Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Active Monitors
- Passive Monitors
- By Application:
- Arena
- Live House
- Concert Hall
- Other
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the Stage Monitors Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
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- Correctly Positioning New Products
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
Stage monitors are a type of audio equipment used to monitor the sound levels in a performance space. They can be used to help producers and sound engineers keep track of how loud the music is being played, and to make adjustments as needed.
Some of the key players operating in the stage monitors market are dBTechnologies, Electro-Voice, Galaxy Audio, Grindhouse Speakers, JBL, Kustom Amplification, LD Systems, MUSIC Tribe Global Brands Ltd., Nady Systems, Inc., Peavey Electronics Corporation, Powerwerks, QSC, RCF, Rockville Audio, Sound Town Inc, Yamaha.
The stage monitors market is expected to register a CAGR of 5.5%.
1. Executive Summary
2. Assumptions and Acronyms Used
3. Research Methodology
4. Stage Monitors Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. Stage Monitors Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. Stage Monitors Market - Supply Chain
4.5. Global Stage Monitors Market Forecast
4.5.1. Stage Monitors Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. Stage Monitors Market Size (000 Units) and Y-o-Y Growth
4.5.3. Stage Monitors Market Absolute $ Opportunity
5. Global Stage Monitors Market Analysis and Forecast by Type
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Type
5.2.2. Y-o-Y Growth Projections by Type
5.3. Stage Monitors Market Size and Volume Forecast by Type
5.3.1. Active Monitors
5.3.2. Passive Monitors
5.4. Absolute $ Opportunity Assessment by Type
5.5. Market Attractiveness/Growth Potential Analysis by Type
6. Global Stage Monitors Market Analysis and Forecast by Application
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Application
6.2.2. Y-o-Y Growth Projections by Application
6.3. Stage Monitors Market Size and Volume Forecast by Application
6.3.1. Arena
6.3.2. Live House
6.3.3. Concert Hall
6.3.4. Other
6.4. Absolute $ Opportunity Assessment by Application
6.5. Market Attractiveness/Growth Potential Analysis by Application
7. Global Stage Monitors Market Analysis and Forecast by Sales Channel
7.1. Market Trends
7.2. Introduction
7.2.1. Basis Point Share (BPS) Analysis by Sales Channel
7.2.2. Y-o-Y Growth Projections by Sales Channel
7.3. Stage Monitors Market Size and Volume Forecast by Sales Channel
7.3.1. Manufacturer/Distributor/Service Provider
7.3.2. Aftermarket
7.4. Absolute $ Opportunity Assessment by Sales Channel
7.5. Market Attractiveness/Growth Potential Analysis by Sales Channel
8. Global Stage Monitors Market Analysis and Forecast by Region
8.1. Market Trends
8.2. Introduction
8.2.1. Basis Point Share (BPS) Analysis by Region
8.2.2. Y-o-Y Growth Projections by Region
8.3. Stage Monitors Market Size and Volume Forecast by Region
8.3.1. North America
8.3.2. Latin America
8.3.3. Europe
8.3.4. Asia Pacific
8.3.5. Middle East and Africa (MEA)
8.4. Absolute $ Opportunity Assessment by Region
8.5. Market Attractiveness/Growth Potential Analysis by Region
8.6. Global Stage Monitors Demand Share Forecast, 2019-2029
9. North America Stage Monitors Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.2. North America Stage Monitors Market Size and Volume Forecast by Country
9.2.1. U.S.
9.2.2. Canada
9.3. Absolute $ Opportunity Assessment by Country
9.4. North America Stage Monitors Market Size and Volume Forecast by Application
9.4.1. Arena
9.4.2. Live House
9.4.3. Concert Hall
9.4.4. Other
9.5. Basis Point Share (BPS) Analysis by Application
9.6. Y-o-Y Growth Projections by Application
9.7. North America Stage Monitors Market Size and Volume Forecast by Type
9.7.1. Active Monitors
9.7.2. Passive Monitors
9.8. Basis Point Share (BPS) Analysis by Type
9.9. Y-o-Y Growth Projections by Type
9.10. Market Attractiveness/Growth Potential Analysis
9.10.1. By Country
9.10.2. By Product Type
9.10.3. By Application
9.10.4. By Sales Channel
9.11. North America Stage Monitors Demand Share Forecast, 2019-2029
10. Latin America Stage Monitors Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Latin America Average Pricing Analysis
10.2. Latin America Stage Monitors Market Size and Volume Forecast by Country
10.2.1. Brazil
10.2.2. Mexico
10.2.3. Rest of Latin America
10.3. Absolute $ Opportunity Assessment by Country
10.4. Latin America Stage Monitors Market Size and Volume Forecast by Application
10.4.1. Arena
10.4.2. Live House
10.4.3. Concert Hall
10.4.4. Other
10.5. Basis Point Share (BPS) Analysis by Application
10.6. Y-o-Y Growth Projections by Application
10.7. Latin America Stage Monitors Market Size and Volume Forecast by Type
10.7.1. Active Monitors
10.7.2. Passive Monitors
10.8. Basis Point Share (BPS) Analysis by Type
10.9. Y-o-Y Growth Projections by Type
10.10. Market Attractiveness/Growth Potential Analysis
10.10.1. By Country
10.10.2. By Product Type
10.10.3. By Application
10.10.4. By Sales Channel
10.11. Latin America Stage Monitors Demand Share Forecast, 2019-2029
11. Europe Stage Monitors Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Europe Average Pricing Analysis
11.2. Europe Stage Monitors Market Size and Volume Forecast by Country
11.2.1. Germany
11.2.2. France
11.2.3. Italy
11.2.4. U.K.
11.2.5. Spain
11.2.6. Russia
11.2.7. Rest of Europe
11.3. Absolute $ Opportunity Assessment by Country
11.4. Europe Stage Monitors Market Size and Volume Forecast by Application
11.4.1. Arena
11.4.2. Live House
11.4.3. Concert Hall
11.4.4. Other
11.5. Basis Point Share (BPS) Analysis by Application
11.6. Y-o-Y Growth Projections by Application
11.7. Europe Stage Monitors Market Size and Volume Forecast by Type
11.7.1. Active Monitors
11.7.2. Passive Monitors
11.8. Basis Point Share (BPS) Analysis by Type
11.9. Y-o-Y Growth Projections by Type
11.10. Market Attractiveness/Growth Potential Analysis
11.10.1. By Country
11.10.2. By Product Type
11.10.3. By Application
11.10.4. By Sales Channel
11.11. Europe Stage Monitors Demand Share, 2019-2029
12. Asia Pacific Stage Monitors Market Analysis and Forecast
12.1. Introduction
12.1.1. Basis Point Share (BPS) Analysis by Country
12.1.2. Y-o-Y Growth Projections by Country
12.1.3. Asia Pacific Average Pricing Analysis
12.2. Asia Pacific Stage Monitors Market Size and Volume Forecast by Country
12.2.1. China
12.2.2. Japan
12.2.3. South Korea
12.2.4. India
12.2.5. Australia
12.2.6. Rest of Asia Pacific (APAC)
12.3. Absolute $ Opportunity Assessment by Country
12.4. Asia Pacific Stage Monitors Market Size and Volume Forecast by Application
12.4.1. Arena
12.4.2. Live House
12.4.3. Concert Hall
12.4.4. Other
12.5. Basis Point Share (BPS) Analysis by Application
12.6. Y-o-Y Growth Projections by Application
12.7. Asia Pacific Stage Monitors Market Size and Volume Forecast by Type
12.7.1. Active Monitors
12.7.2. Passive Monitors
12.8. Basis Point Share (BPS) Analysis by Type
12.9. Y-o-Y Growth Projections by Type
12.10. Market Attractiveness/Growth Potential Analysis
12.10.1. By Country
12.10.2. By Product Type
12.10.3. By Application
12.10.4. By Sales Channel
12.11. Asia Pacific Stage Monitors Demand Share, 2019-2029
13. Middle East & Africa Stage Monitors Market Analysis and Forecast
13.1. Introduction
13.1.1. Basis Point Share (BPS) Analysis by Country
13.1.2. Y-o-Y Growth Projections by Country
13.1.3. Asia Pacific Average Pricing Analysis
13.2. Middle East & Africa Stage Monitors Market Size and Volume Forecast by Country
13.2.1. Saudi Arabia
13.2.2. South Africa
13.2.3. UAE
13.2.4. Rest of Middle East & Africa (MEA)
13.3. Absolute $ Opportunity Assessment by Country
13.4. Middle East & Africa Stage Monitors Market Size and Volume Forecast by Application
13.4.1. Arena
13.4.2. Live House
13.4.3. Concert Hall
13.4.4. Other
13.5. Basis Point Share (BPS) Analysis by Application
13.6. Y-o-Y Growth Projections by Application
13.7. Middle East & Africa Stage Monitors Market Size and Volume Forecast by Type
13.7.1. Active Monitors
13.7.2. Passive Monitors
13.8. Basis Point Share (BPS) Analysis by Type
13.9. Y-o-Y Growth Projections by Type
13.10. Market Attractiveness/Growth Potential Analysis
13.10.1. By Country
13.10.2. By Product Type
13.10.3. By Application
13.10.4. By Sales Channel
13.11. Middle East & Africa Stage Monitors Demand Share, 2019-2029
14. Competition Landscape
14.1. Global Stage Monitors Market: Market Share Analysis
14.2. Stage Monitors Distributors and Customers
14.3. Stage Monitors Market: Competitive Dashboard
14.4. Company Profiles (Details Overview, Financials, Developments, Strategy)
14.4.1. dBTechnologies
14.4.1.1. Overview
14.4.1.2. Financials
14.4.1.3. Developments
14.4.1.4. Strategic Outlook
14.4.2. Electro-Voice
14.4.2.1. Overview
14.4.2.2. Financials
14.4.2.3. Developments
14.4.2.4. Strategic Outlook
14.4.3. Galaxy Audio
14.4.3.1. Overview
14.4.3.2. Financials
14.4.3.3. Developments
14.4.3.4. Strategic Outlook
14.4.4. Grindhouse Speakers
14.4.4.1. Overview
14.4.4.2. Financials
14.4.4.3. Developments
14.4.4.4. Strategic Outlook
14.4.5. JBL
14.4.5.1. Overview
14.4.5.2. Financials
14.4.5.3. Developments
14.4.5.4. Strategic Outlook
14.4.6. Kustom Amplification
14.4.6.1. Overview
14.4.6.2. Financials
14.4.6.3. Developments
14.4.6.4. Strategic Outlook
14.4.7. LD Systems
14.4.7.1. Overview
14.4.7.2. Financials
14.4.7.3. Developments
14.4.7.4. Strategic Outlook
14.4.8. MUSIC Tribe Global Brands Ltd.
14.4.8.1. Overview
14.4.8.2. Financials
14.4.8.3. Developments
14.4.8.4. Strategic Outlook
14.4.9. Nady Systems, Inc.
14.4.9.1. Overview
14.4.9.2. Financials
14.4.9.3. Developments
14.4.9.4. Strategic Outlook
14.4.10. Peavey Electronics Corporation
14.4.10.1. Overview
14.4.10.2. Financials
14.4.10.3. Developments
14.4.10.4. Strategic Outlook
14.4.11. Powerwerks
14.4.11.1. Overview
14.4.11.2. Financials
14.4.11.3. Developments
14.4.11.4. Strategic Outlook
14.4.12. QSC
14.4.12.1. Overview
14.4.12.2. Financials
14.4.12.3. Developments
14.4.12.4. Strategic Outlook
14.4.13. RCF
14.4.13.1. Overview
14.4.13.2. Financials
14.4.13.3. Developments
14.4.13.4. Strategic Outlook
14.4.14. Rockville Audio
14.4.14.1. Overview
14.4.14.2. Financials
14.4.14.3. Developments
14.4.14.4. Strategic Outlook
14.4.15. Sound Town Inc
14.4.15.1. Overview
14.4.15.2. Financials
14.4.15.3. Developments
14.4.15.4. Strategic Outlook
14.4.16. Yamaha
14.4.16.1. Overview
14.4.16.2. Financials
14.4.16.3. Developments
14.4.16.4. Strategic Outlook
14.4.17. COMPANY 17
14.4.17.1. Overview
14.4.17.2. Financials
14.4.17.3. Developments
14.4.17.4. Strategic Outlook
14.4.18. COMPANY 18
14.4.18.1. Overview
14.4.18.2. Financials
14.4.18.3. Developments
14.4.18.4. Strategic Outlook
14.4.19. COMPANY 19
14.4.19.1. Overview
14.4.19.2. Financials
14.4.19.3. Developments
14.4.19.4. Strategic Outlook
14.4.20. COMPANY 20
14.4.20.1. Overview
14.4.20.2. Financials
14.4.20.3. Developments
14.4.20.4. Strategic Outlook
