The global studio monitors market is expected to grow at a CAGR of 4.5% during the forecast period, from 2021 to 2030. The growth of this market can be attributed to the increasing demand for studio monitors in various applications such as home recording and studio recording. The demand for these products is also driven by the increasing number of music producers and engineers who are looking for high-quality sound reproduction equipment that can help them produce better quality music.
The global active monitors market is expected to grow at a CAGR of 5% during the forecast period, from 2021 to 2030. This growth can be attributed to factors such as increased demand for high-quality sound reproduction equipment in various applications such as home recording and studio recording, which will drive the adoption rate of active monitors in these applications over passive ones.
-The market for Studio Monitors is growing due to the increasing demand for high quality audio equipment.
-The market for Studio Monitors is also growing due to the increasing number of people who are interested in music production.
-The market for Studio Monitors is also growing due to the increase in demand from emerging markets such as China and India.
-The market for Studio Monitors is also growing due to the increased use of digital technology which has led to a need for higher quality sound equipment.
Industry Growth Insights published a new data on “Studio Monitors Market”. The research report is titled “Studio Monitors Market research by Types (Active Monitors, Passive Monitors), By Applications (Studio Recordig, Home Recording, Other), By Players/Companies ADAM Audio, Alesis, Anchor Audio, Audioengine, Avantone Pro, Avid, Dynaudio, EVE Audio, FOCAL, Fostex, Genelec.com, JBL, KRK SYSTEMS, Mackie, M-Audio, MUSIC Tribe, Neumann, Numark, Peavey Electronics Corporation, PreSonus, YAMAHA, RCF, Rockville Audio, Samson Technologies, Seismic Audio”.
Scope Of The Report
Report Attributes
Report Details
Report Title
Studio Monitors Market Research Report
By Type
Active Monitors, Passive Monitors
By Application
Studio Recordig, Home Recording, Other
By Companies
ADAM Audio, Alesis, Anchor Audio, Audioengine, Avantone Pro, Avid, Dynaudio, EVE Audio, FOCAL, Fostex, Genelec.com, JBL, KRK SYSTEMS, Mackie, M-Audio, MUSIC Tribe, Neumann, Numark, Peavey Electronics Corporation, PreSonus, YAMAHA, RCF, Rockville Audio, Samson Technologies, Seismic Audio
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
241
Number of Tables & Figures
169
Customization Available
Yes, the report can be customized as per your need.
Global Studio Monitors Market Report Segments:
The global Studio Monitors market is segmented on the basis of:
Types
Active Monitors, Passive Monitors
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Studio Recordig, Home Recording, Other
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- ADAM Audio
- Alesis
- Anchor Audio
- Audioengine
- Avantone Pro
- Avid
- Dynaudio
- EVE Audio
- FOCAL
- Fostex
- Genelec.com
- JBL
- KRK SYSTEMS
- Mackie
- M-Audio
- MUSIC Tribe
- Neumann
- Numark
- Peavey Electronics Corporation
- PreSonus
- YAMAHA
- RCF
- Rockville Audio
- Samson Technologies
- Seismic Audio
Highlights of The Studio Monitors Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Active Monitors
- Passive Monitors
- By Application:
- Studio Recordig
- Home Recording
- Other
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the Studio Monitors Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
Studio Monitors is a monitor company that manufactures high-quality monitors for gamers and other professionals.
Some of the major players in the studio monitors market are ADAM Audio, Alesis, Anchor Audio, Audioengine, Avantone Pro, Avid, Dynaudio, EVE Audio, FOCAL, Fostex, Genelec.com, JBL, KRK SYSTEMS, Mackie, M-Audio, MUSIC Tribe, Neumann, Numark, Peavey Electronics Corporation, PreSonus, YAMAHA, RCF, Rockville Audio, Samson Technologies, Seismic Audio.
The studio monitors market is expected to register a CAGR of 4.5%.
1. Executive Summary
2. Assumptions and Acronyms Used
3. Research Methodology
4. Studio Monitors Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. Studio Monitors Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. Studio Monitors Market - Supply Chain
4.5. Global Studio Monitors Market Forecast
4.5.1. Studio Monitors Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. Studio Monitors Market Size (000 Units) and Y-o-Y Growth
4.5.3. Studio Monitors Market Absolute $ Opportunity
5. Global Studio Monitors Market Analysis and Forecast by Type
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Type
5.2.2. Y-o-Y Growth Projections by Type
5.3. Studio Monitors Market Size and Volume Forecast by Type
5.3.1. Active Monitors
5.3.2. Passive Monitors
5.4. Absolute $ Opportunity Assessment by Type
5.5. Market Attractiveness/Growth Potential Analysis by Type
6. Global Studio Monitors Market Analysis and Forecast by Application
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Application
6.2.2. Y-o-Y Growth Projections by Application
6.3. Studio Monitors Market Size and Volume Forecast by Application
6.3.1. Studio Recordig
6.3.2. Home Recording
6.3.3. Other
6.4. Absolute $ Opportunity Assessment by Application
6.5. Market Attractiveness/Growth Potential Analysis by Application
7. Global Studio Monitors Market Analysis and Forecast by Sales Channel
7.1. Market Trends
7.2. Introduction
7.2.1. Basis Point Share (BPS) Analysis by Sales Channel
7.2.2. Y-o-Y Growth Projections by Sales Channel
7.3. Studio Monitors Market Size and Volume Forecast by Sales Channel
7.3.1. Manufacturer/Distributor/Service Provider
7.3.2. Aftermarket
7.4. Absolute $ Opportunity Assessment by Sales Channel
7.5. Market Attractiveness/Growth Potential Analysis by Sales Channel
8. Global Studio Monitors Market Analysis and Forecast by Region
8.1. Market Trends
8.2. Introduction
8.2.1. Basis Point Share (BPS) Analysis by Region
8.2.2. Y-o-Y Growth Projections by Region
8.3. Studio Monitors Market Size and Volume Forecast by Region
8.3.1. North America
8.3.2. Latin America
8.3.3. Europe
8.3.4. Asia Pacific
8.3.5. Middle East and Africa (MEA)
8.4. Absolute $ Opportunity Assessment by Region
8.5. Market Attractiveness/Growth Potential Analysis by Region
8.6. Global Studio Monitors Demand Share Forecast, 2019-2026
9. North America Studio Monitors Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.2. North America Studio Monitors Market Size and Volume Forecast by Country
9.2.1. U.S.
9.2.2. Canada
9.3. Absolute $ Opportunity Assessment by Country
9.4. North America Studio Monitors Market Size and Volume Forecast by Application
9.4.1. Studio Recordig
9.4.2. Home Recording
9.4.3. Other
9.5. Basis Point Share (BPS) Analysis by Application
9.6. Y-o-Y Growth Projections by Application
9.7. North America Studio Monitors Market Size and Volume Forecast by Type
9.7.1. Active Monitors
9.7.2. Passive Monitors
9.8. Basis Point Share (BPS) Analysis by Type
9.9. Y-o-Y Growth Projections by Type
9.10. Market Attractiveness/Growth Potential Analysis
9.10.1. By Country
9.10.2. By Product Type
9.10.3. By Application
9.10.4. By Sales Channel
9.11. North America Studio Monitors Demand Share Forecast, 2019-2026
10. Latin America Studio Monitors Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Latin America Average Pricing Analysis
10.2. Latin America Studio Monitors Market Size and Volume Forecast by Country
10.2.1. Brazil
10.2.2. Mexico
10.2.3. Rest of Latin America
10.3. Absolute $ Opportunity Assessment by Country
10.4. Latin America Studio Monitors Market Size and Volume Forecast by Application
10.4.1. Studio Recordig
10.4.2. Home Recording
10.4.3. Other
10.5. Basis Point Share (BPS) Analysis by Application
10.6. Y-o-Y Growth Projections by Application
10.7. Latin America Studio Monitors Market Size and Volume Forecast by Type
10.7.1. Active Monitors
10.7.2. Passive Monitors
10.8. Basis Point Share (BPS) Analysis by Type
10.9. Y-o-Y Growth Projections by Type
10.10. Market Attractiveness/Growth Potential Analysis
10.10.1. By Country
10.10.2. By Product Type
10.10.3. By Application
10.10.4. By Sales Channel
10.11. Latin America Studio Monitors Demand Share Forecast, 2019-2026
11. Europe Studio Monitors Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Europe Average Pricing Analysis
11.2. Europe Studio Monitors Market Size and Volume Forecast by Country
11.2.1. Germany
11.2.2. France
11.2.3. Italy
11.2.4. U.K.
11.2.5. Spain
11.2.6. Russia
11.2.7. Rest of Europe
11.3. Absolute $ Opportunity Assessment by Country
11.4. Europe Studio Monitors Market Size and Volume Forecast by Application
11.4.1. Studio Recordig
11.4.2. Home Recording
11.4.3. Other
11.5. Basis Point Share (BPS) Analysis by Application
11.6. Y-o-Y Growth Projections by Application
11.7. Europe Studio Monitors Market Size and Volume Forecast by Type
11.7.1. Active Monitors
11.7.2. Passive Monitors
11.8. Basis Point Share (BPS) Analysis by Type
11.9. Y-o-Y Growth Projections by Type
11.10. Market Attractivenes/Growth Potential Analysis
11.10.1. By Country
11.10.2. By Product Type
11.10.3. By Application
11.10.4. By Sales Channel
11.11. Europe Studio Monitors Demand Share, 2019-2026
12. Asia Pacific Studio Monitors Market Analysis and Forecast
12.1. Introduction
12.1.1. Basis Point Share (BPS) Analysis by Country
12.1.2. Y-o-Y Growth Projections by Country
12.1.3. Asia Pacific Average Pricing Analysis
12.2. Asia Pacific Studio Monitors Market Size and Volume Forecast by Country
12.2.1. China
12.2.2. Japan
12.2.3. South Korea
12.2.4. India
12.2.5. Australia
12.2.6. Rest of Asia Pacific (APAC)
12.3. Absolute $ Opportunity Assessment by Country
12.4. Asia Pacific Studio Monitors Market Size and Volume Forecast by Application
12.4.1. Studio Recordig
12.4.2. Home Recording
12.4.3. Other
12.5. Basis Point Share (BPS) Analysis by Application
12.6. Y-o-Y Growth Projections by Application
12.7. Asia Pacific Studio Monitors Market Size and Volume Forecast by Type
12.7.1. Active Monitors
12.7.2. Passive Monitors
12.8. Basis Point Share (BPS) Analysis by Type
12.9. Y-o-Y Growth Projections by Type
12.10. Market Attractiveness/Growth Potential Analysis
12.10.1. By Country
12.10.2. By Product Type
12.10.3. By Application
12.10.4. By Sales Channel
12.11. Asia Pacific Studio Monitors Demand Share, 2019-2026
13. Middle East & Africa Studio Monitors Market Analysis and Forecast
13.1. Introduction
13.1.1. Basis Point Share (BPS) Analysis by Country
13.1.2. Y-o-Y Growth Projections by Country
13.1.3. Asia Pacific Average Pricing Analysis
13.2. Middle East & Africa Studio Monitors Market Size and Volume Forecast by Country
13.2.1. Saudi Arabia
13.2.2. South Africa
13.2.3. UAE
13.2.4. Rest of Middle East & Africa (MEA)
13.3. Absolute $ Opportunity Assessment by Country
13.4. Middle East & Africa Studio Monitors Market Size and Volume Forecast by Application
13.4.1. Studio Recordig
13.4.2. Home Recording
13.4.3. Other
13.5. Basis Point Share (BPS) Analysis by Application
13.6. Y-o-Y Growth Projections by Application
13.7. Middle East & Africa Studio Monitors Market Size and Volume Forecast by Type
13.7.1. Active Monitors
13.7.2. Passive Monitors
13.8. Basis Point Share (BPS) Analysis by Type
13.9. Y-o-Y Growth Projections by Type
13.10. Market Attractiveness/Growth Potential Analysis
13.10.1. By Country
13.10.2. By Product Type
13.10.3. By Application
13.10.4. By Sales Channel
13.11. Middle East & Africa Studio Monitors Demand Share, 2019-2026
14. Competition Landscape
14.1. Global Studio Monitors Market: Market Share Analysis
14.2. Studio Monitors Distributors and Customers
14.3. Studio Monitors Market: Competitive Dashboard
14.4. Company Profiles (Details Overview, Financials, Developments, Strategy)
14.4.1. ADAM Audio
14.4.1.1. Overview
14.4.1.2. Financials
14.4.1.3. Developments
14.4.1.4. Strategic Outlook
14.4.2. Alesis
14.4.2.1. Overview
14.4.2.2. Financials
14.4.2.3. Developments
14.4.2.4. Strategic Outlook
14.4.3. Anchor Audio
14.4.3.1. Overview
14.4.3.2. Financials
14.4.3.3. Developments
14.4.3.4. Strategic Outlook
14.4.4. Audioengine
14.4.4.1. Overview
14.4.4.2. Financials
14.4.4.3. Developments
14.4.4.4. Strategic Outlook
14.4.5. Avantone Pro
14.4.5.1. Overview
14.4.5.2. Financials
14.4.5.3. Developments
14.4.5.4. Strategic Outlook
14.4.6. Avid
14.4.6.1. Overview
14.4.6.2. Financials
14.4.6.3. Developments
14.4.6.4. Strategic Outlook
14.4.7. Dynaudio
14.4.7.1. Overview
14.4.7.2. Financials
14.4.7.3. Developments
14.4.7.4. Strategic Outlook
14.4.8. EVE Audio
14.4.8.1. Overview
14.4.8.2. Financials
14.4.8.3. Developments
14.4.8.4. Strategic Outlook
14.4.9. FOCAL
14.4.9.1. Overview
14.4.9.2. Financials
14.4.9.3. Developments
14.4.9.4. Strategic Outlook
14.4.10. Fostex
14.4.10.1. Overview
14.4.10.2. Financials
14.4.10.3. Developments
14.4.10.4. Strategic Outlook
14.4.11. Genelec.com
14.4.11.1. Overview
14.4.11.2. Financials
14.4.11.3. Developments
14.4.11.4. Strategic Outlook
14.4.12. JBL
14.4.12.1. Overview
14.4.12.2. Financials
14.4.12.3. Developments
14.4.12.4. Strategic Outlook
14.4.13. KRK SYSTEMS
14.4.13.1. Overview
14.4.13.2. Financials
14.4.13.3. Developments
14.4.13.4. Strategic Outlook
14.4.14. Mackie
14.4.14.1. Overview
14.4.14.2. Financials
14.4.14.3. Developments
14.4.14.4. Strategic Outlook
14.4.15. M-Audio
14.4.15.1. Overview
14.4.15.2. Financials
14.4.15.3. Developments
14.4.15.4. Strategic Outlook
14.4.16. MUSIC Tribe
14.4.16.1. Overview
14.4.16.2. Financials
14.4.16.3. Developments
14.4.16.4. Strategic Outlook
14.4.17. Neumann
14.4.17.1. Overview
14.4.17.2. Financials
14.4.17.3. Developments
14.4.17.4. Strategic Outlook
14.4.18. Numark
14.4.18.1. Overview
14.4.18.2. Financials
14.4.18.3. Developments
14.4.18.4. Strategic Outlook
14.4.19. Peavey Electronics Corporation
14.4.19.1. Overview
14.4.19.2. Financials
14.4.19.3. Developments
14.4.19.4. Strategic Outlook
14.4.20. PreSonus
14.4.20.1. Overview
14.4.20.2. Financials
14.4.20.3. Developments
14.4.20.4. Strategic Outlook
