The global USB audio interfaces market is expected to grow at a CAGR of 5.5% during the forecast period, from 2021 to 2030. The market is driven by the increasing demand for digital audio recording and playback devices in various applications such as recording studios, home, and live performances. The increasing demand for digital audio recording and playback devices in various applications such as recording studios, home, and live performances is driving the growth of this market. The professional segment accounted for a significant share of the global USB audio interfaces market in 2018 owing to its high-end features that are required by professionals who need high-quality sound output with low latency time. This segment is expected to continue its dominance over other segments during the forecast period due to its high-end features that are required by professionals who need high-quality sound output with low latency time. -The USB Audio Interface market is growing due to the increase in demand for audio interfaces.
Industry Growth Insights published a new data on “USB Audio Interfaces Market”. The research report is titled “USB Audio Interfaces Market research by Types (Amateurs, Professional), By Applications (Recording Studio, Home), By Players/Companies Focusrite Audio Engineering Ltd., PreSonus Audio Electronics, Inc., Universal Audio, Zoom Corporation, Steinberg Media Technologies GmbH (Yamaha), Roland, Mackie (LOUD Technologies Inc.), M-Audio, Behringer (Music Group), MOTU, IK Multimedia, RME, Tascam (TEAC Corporation), ESI Audiotechnik GmbH, Lexicon, Audient”.
Scope Of The Report
Report Attributes
Report Details
Report Title
USB Audio Interfaces Market Research Report
By Type
Amateurs, Professional
By Application
Recording Studio, Home
By Companies
Focusrite Audio Engineering Ltd., PreSonus Audio Electronics, Inc., Universal Audio, Zoom Corporation, Steinberg Media Technologies GmbH (Yamaha), Roland, Mackie (LOUD Technologies Inc.), M-Audio, Behringer (Music Group), MOTU, IK Multimedia, RME, Tascam (TEAC Corporation), ESI Audiotechnik GmbH, Lexicon, Audient
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
241
Number of Tables & Figures
169
Customization Available
Yes, the report can be customized as per your need.
Global USB Audio Interfaces Market Report Segments:
The global USB Audio Interfaces market is segmented on the basis of:
Types
Amateurs, Professional
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Recording Studio, Home
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- Focusrite Audio Engineering Ltd.
- PreSonus Audio Electronics, Inc.
- Universal Audio
- Zoom Corporation
- Steinberg Media Technologies GmbH (Yamaha)
- Roland
- Mackie (LOUD Technologies Inc.)
- M-Audio
- Behringer (Music Group)
- MOTU
- IK Multimedia
- RME
- Tascam (TEAC Corporation)
- ESI Audiotechnik GmbH
- Lexicon
- Audient
Highlights of The USB Audio Interfaces Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Amateurs
- Professional
- By Application:
- Recording Studio
- Home
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the USB Audio Interfaces Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
USB Audio Interfaces is a specification for audio interfaces that use the USB bus.
Some of the key players operating in the usb audio interfaces market are Focusrite Audio Engineering Ltd., PreSonus Audio Electronics, Inc., Universal Audio, Zoom Corporation, Steinberg Media Technologies GmbH (Yamaha), Roland, Mackie (LOUD Technologies Inc.), M-Audio, Behringer (Music Group), MOTU, IK Multimedia, RME, Tascam (TEAC Corporation), ESI Audiotechnik GmbH, Lexicon, Audient.
The usb audio interfaces market is expected to grow at a compound annual growth rate of 5.5%.
1. Executive Summary
2. Assumptions and Acronyms Used
3. Research Methodology
4. USB Audio Interfaces Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. USB Audio Interfaces Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. USB Audio Interfaces Market - Supply Chain
4.5. Global USB Audio Interfaces Market Forecast
4.5.1. USB Audio Interfaces Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. USB Audio Interfaces Market Size (000 Units) and Y-o-Y Growth
4.5.3. USB Audio Interfaces Market Absolute $ Opportunity
5. Global USB Audio Interfaces Market Analysis and Forecast by Type
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Type
5.2.2. Y-o-Y Growth Projections by Type
5.3. USB Audio Interfaces Market Size and Volume Forecast by Type
5.3.1. Amateurs
5.3.2. Professional
5.4. Absolute $ Opportunity Assessment by Type
5.5. Market Attractiveness/Growth Potential Analysis by Type
6. Global USB Audio Interfaces Market Analysis and Forecast by Application
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Application
6.2.2. Y-o-Y Growth Projections by Application
6.3. USB Audio Interfaces Market Size and Volume Forecast by Application
6.3.1. Recording Studio
6.3.2. Home
6.4. Absolute $ Opportunity Assessment by Application
6.5. Market Attractiveness/Growth Potential Analysis by Application
7. Global USB Audio Interfaces Market Analysis and Forecast by Sales Channel
7.1. Market Trends
7.2. Introduction
7.2.1. Basis Point Share (BPS) Analysis by Sales Channel
7.2.2. Y-o-Y Growth Projections by Sales Channel
7.3. USB Audio Interfaces Market Size and Volume Forecast by Sales Channel
7.3.1. Manufacturer/Distributor/Service Provider
7.3.2. Aftermarket
7.4. Absolute $ Opportunity Assessment by Sales Channel
7.5. Market Attractiveness/Growth Potential Analysis by Sales Channel
8. Global USB Audio Interfaces Market Analysis and Forecast by Region
8.1. Market Trends
8.2. Introduction
8.2.1. Basis Point Share (BPS) Analysis by Region
8.2.2. Y-o-Y Growth Projections by Region
8.3. USB Audio Interfaces Market Size and Volume Forecast by Region
8.3.1. North America
8.3.2. Latin America
8.3.3. Europe
8.3.4. Asia Pacific
8.3.5. Middle East and Africa (MEA)
8.4. Absolute $ Opportunity Assessment by Region
8.5. Market Attractiveness/Growth Potential Analysis by Region
8.6. Global USB Audio Interfaces Demand Share Forecast, 2019-2026
9. North America USB Audio Interfaces Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.2. North America USB Audio Interfaces Market Size and Volume Forecast by Country
9.2.1. U.S.
9.2.2. Canada
9.3. Absolute $ Opportunity Assessment by Country
9.4. North America USB Audio Interfaces Market Size and Volume Forecast by Application
9.4.1. Recording Studio
9.4.2. Home
9.5. Basis Point Share (BPS) Analysis by Application
9.6. Y-o-Y Growth Projections by Application
9.7. North America USB Audio Interfaces Market Size and Volume Forecast by Type
9.7.1. Amateurs
9.7.2. Professional
9.8. Basis Point Share (BPS) Analysis by Type
9.9. Y-o-Y Growth Projections by Type
9.10. Market Attractiveness/Growth Potential Analysis
9.10.1. By Country
9.10.2. By Product Type
9.10.3. By Application
9.10.4. By Sales Channel
9.11. North America USB Audio Interfaces Demand Share Forecast, 2019-2026
10. Latin America USB Audio Interfaces Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Latin America Average Pricing Analysis
10.2. Latin America USB Audio Interfaces Market Size and Volume Forecast by Country
10.2.1. Brazil
10.2.2. Mexico
10.2.3. Rest of Latin America
10.3. Absolute $ Opportunity Assessment by Country
10.4. Latin America USB Audio Interfaces Market Size and Volume Forecast by Application
10.4.1. Recording Studio
10.4.2. Home
10.5. Basis Point Share (BPS) Analysis by Application
10.6. Y-o-Y Growth Projections by Application
10.7. Latin America USB Audio Interfaces Market Size and Volume Forecast by Type
10.7.1. Amateurs
10.7.2. Professional
10.8. Basis Point Share (BPS) Analysis by Type
10.9. Y-o-Y Growth Projections by Type
10.10. Market Attractiveness/Growth Potential Analysis
10.10.1. By Country
10.10.2. By Product Type
10.10.3. By Application
10.10.4. By Sales Channel
10.11. Latin America USB Audio Interfaces Demand Share Forecast, 2019-2026
11. Europe USB Audio Interfaces Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Europe Average Pricing Analysis
11.2. Europe USB Audio Interfaces Market Size and Volume Forecast by Country
11.2.1. Germany
11.2.2. France
11.2.3. Italy
11.2.4. U.K.
11.2.5. Spain
11.2.6. Russia
11.2.7. Rest of Europe
11.3. Absolute $ Opportunity Assessment by Country
11.4. Europe USB Audio Interfaces Market Size and Volume Forecast by Application
11.4.1. Recording Studio
11.4.2. Home
11.5. Basis Point Share (BPS) Analysis by Application
11.6. Y-o-Y Growth Projections by Application
11.7. Europe USB Audio Interfaces Market Size and Volume Forecast by Type
11.7.1. Amateurs
11.7.2. Professional
11.8. Basis Point Share (BPS) Analysis by Type
11.9. Y-o-Y Growth Projections by Type
11.10. Market Attractiveness/Growth Potential Analysis
11.10.1. By Country
11.10.2. By Product Type
11.10.3. By Application
11.10.4. By Sales Channel
11.11. Europe USB Audio Interfaces Demand Share, 2019-2026
12. Asia Pacific USB Audio Interfaces Market Analysis and Forecast
12.1. Introduction
12.1.1. Basis Point Share (BPS) Analysis by Country
12.1.2. Y-o-Y Growth Projections by Country
12.1.3. Asia Pacific Average Pricing Analysis
12.2. Asia Pacific USB Audio Interfaces Market Size and Volume Forecast by Country
12.2.1. China
12.2.2. Japan
12.2.3. South Korea
12.2.4. India
12.2.5. Australia
12.2.6. Rest of Asia Pacific (APAC)
12.3. Absolute $ Opportunity Assessment by Country
12.4. Asia Pacific USB Audio Interfaces Market Size and Volume Forecast by Application
12.4.1. Recording Studio
12.4.2. Home
12.5. Basis Point Share (BPS) Analysis by Application
12.6. Y-o-Y Growth Projections by Application
12.7. Asia Pacific USB Audio Interfaces Market Size and Volume Forecast by Type
12.7.1. Amateurs
12.7.2. Professional
12.8. Basis Point Share (BPS) Analysis by Type
12.9. Y-o-Y Growth Projections by Type
12.10. Market Attractiveness/Growth Potential Analysis
12.10.1. By Country
12.10.2. By Product Type
12.10.3. By Application
12.10.4. By Sales Channel
12.11. Asia Pacific USB Audio Interfaces Demand Share, 2019-2026
13. Middle East & Africa USB Audio Interfaces Market Analysis and Forecast
13.1. Introduction
13.1.1. Basis Point Share (BPS) Analysis by Country
13.1.2. Y-o-Y Growth Projections by Country
13.1.3. Asia Pacific Average Pricing Analysis
13.2. Middle East & Africa USB Audio Interfaces Market Size and Volume Forecast by Country
13.2.1. Saudi Arabia
13.2.2. South Africa
13.2.3. UAE
13.2.4. Rest of Middle East & Africa (MEA)
13.3. Absolute $ Opportunity Assessment by Country
13.4. Middle East & Africa USB Audio Interfaces Market Size and Volume Forecast by Application
13.4.1. Recording Studio
13.4.2. Home
13.5. Basis Point Share (BPS) Analysis by Application
13.6. Y-o-Y Growth Projections by Application
13.7. Middle East & Africa USB Audio Interfaces Market Size and Volume Forecast by Type
13.7.1. Amateurs
13.7.2. Professional
13.8. Basis Point Share (BPS) Analysis by Type
13.9. Y-o-Y Growth Projections by Type
13.10. Market Attractiveness/Growth Potential Analysis
13.10.1. By Country
13.10.2. By Product Type
13.10.3. By Application
13.10.4. By Sales Channel
13.11. Middle East & Africa USB Audio Interfaces Demand Share, 2019-2026
14. Competition Landscape
14.1. Global USB Audio Interfaces Market: Market Share Analysis
14.2. USB Audio Interfaces Distributors and Customers
14.3. USB Audio Interfaces Market: Competitive Dashboard
14.4. Company Profiles (Details Overview, Financials, Developments, Strategy)
14.4.1. Focusrite Audio Engineering Ltd.
14.4.1.1. Overview
14.4.1.2. Financials
14.4.1.3. Developments
14.4.1.4. Strategic Outlook
14.4.2. PreSonus Audio Electronics, Inc.
14.4.2.1. Overview
14.4.2.2. Financials
14.4.2.3. Developments
14.4.2.4. Strategic Outlook
14.4.3. Universal Audio
14.4.3.1. Overview
14.4.3.2. Financials
14.4.3.3. Developments
14.4.3.4. Strategic Outlook
14.4.4. Zoom Corporation
14.4.4.1. Overview
14.4.4.2. Financials
14.4.4.3. Developments
14.4.4.4. Strategic Outlook
14.4.5. Steinberg Media Technologies GmbH (Yamaha)
14.4.5.1. Overview
14.4.5.2. Financials
14.4.5.3. Developments
14.4.5.4. Strategic Outlook
14.4.6. Roland
14.4.6.1. Overview
14.4.6.2. Financials
14.4.6.3. Developments
14.4.6.4. Strategic Outlook
14.4.7. Mackie (LOUD Technologies Inc.)
14.4.7.1. Overview
14.4.7.2. Financials
14.4.7.3. Developments
14.4.7.4. Strategic Outlook
14.4.8. M-Audio
14.4.8.1. Overview
14.4.8.2. Financials
14.4.8.3. Developments
14.4.8.4. Strategic Outlook
14.4.9. Behringer (Music Group)
14.4.9.1. Overview
14.4.9.2. Financials
14.4.9.3. Developments
14.4.9.4. Strategic Outlook
14.4.10. MOTU
14.4.10.1. Overview
14.4.10.2. Financials
14.4.10.3. Developments
14.4.10.4. Strategic Outlook
14.4.11. IK Multimedia
14.4.11.1. Overview
14.4.11.2. Financials
14.4.11.3. Developments
14.4.11.4. Strategic Outlook
14.4.12. RME
14.4.12.1. Overview
14.4.12.2. Financials
14.4.12.3. Developments
14.4.12.4. Strategic Outlook
14.4.13. Tascam (TEAC Corporation)
14.4.13.1. Overview
14.4.13.2. Financials
14.4.13.3. Developments
14.4.13.4. Strategic Outlook
14.4.14. ESI Audiotechnik GmbH
14.4.14.1. Overview
14.4.14.2. Financials
14.4.14.3. Developments
14.4.14.4. Strategic Outlook
14.4.15. Lexicon
14.4.15.1. Overview
14.4.15.2. Financials
14.4.15.3. Developments
14.4.15.4. Strategic Outlook
14.4.16. Audient
14.4.16.1. Overview
14.4.16.2. Financials
14.4.16.3. Developments
14.4.16.4. Strategic Outlook
14.4.17. COMPANY 17
14.4.17.1. Overview
14.4.17.2. Financials
14.4.17.3. Developments
14.4.17.4. Strategic Outlook
14.4.18. COMPANY 18
14.4.18.1. Overview
14.4.18.2. Financials
14.4.18.3. Developments
14.4.18.4. Strategic Outlook
14.4.19. COMPANY 19
14.4.19.1. Overview
14.4.19.2. Financials
14.4.19.3. Developments
14.4.19.4. Strategic Outlook
14.4.20. COMPANY 20
14.4.20.1. Overview
14.4.20.2. Financials
14.4.20.3. Developments
14.4.20.4. Strategic Outlook