Latest Update: Impact of current COVID-19 situation has been considered in this report while making the analysis.
Global Digital Cinema Lens Market by Type (Entry-class, Medium-class, High-end-class), By Application (Amateur Users, Professional Users) And By Region (North America, Latin America, Europe, Asia Pacific and Middle East & Africa), Forecast From 2022 To 2030-report

Global Digital Cinema Lens Market by Type (Entry-class, Medium-class, High-end-class), By Application (Amateur Users, Professional Users) And By Region (North America, Latin America, Europe, Asia Pacific and Middle East & Africa), Forecast From 2022 To 2030

Report ID: 131720 3300 Electronics & Semiconductor 377 232 Pages 4.5 (42)
                                          

Market Overview:


The global digital cinema lens market is expected to grow at a CAGR of 5.5% during the forecast period from 2018 to 2030. The growth in the market can be attributed to the increasing demand for high-quality images and videos across different applications, such as amateur users and professional users. Additionally, the growing adoption of digital cinemas in emerging countries is also contributing to the growth of this market. Based on type, the global digital cinema lens market can be segmented into entry-class, medium-class, and high-end class lenses. The entry-class segment is projected to register highest CAGR during the forecast period owing to its low cost and wide availability.


Global Digital Cinema Lens Industry Outlook


Product Definition:


A digital cinema lens is a high-end lens specifically designed for digital cinematography. They are typically characterized by their large image circle, which allows them to cover the entire Super 35mm frame, and their ability to focus accurately to infinity. Digital cinema lenses have become increasingly popular in recent years as the quality of digital cameras has improved, and they are now often used in place of traditional film lenses on high-end productions.


Entry-class:


Entry-class is the first rung on the ladder of cinema lens. It's a simple, inexpensive and widely available type of optics that can be used to capture video or still images from almost any source. The growth factor in digital cinema lens market is Entry-class Lens Market Size, by Application (Film & Video Production, Filmmaking), by Region (North America: U.S.


Medium-class:


The term medium-class has been used to define the range of lenses from 16mm to 400mm. It is a generalization and can be applied to any lens, regardless of its make or size. The most important aspect of this range for digital cinema is that they cover the focal length required for film making (35mm).


Medium-class lenses are those preferred when apertures between f/2.8 and f/5.6 are sufficient; i.e.


Application Insights:


Amateur users segment held the largest share of over 70.0% in 2017. The professional use of digital cinema lenses is expected to drive the demand for these products as they offer various advantages including a shallow depth-of-field, high resolution and clarity, and a wide field of view compared to traditional film cameras. Furthermore, these products are lightweight and can be mounted on any type of camera including smartphones which makes them highly portable. These factors are anticipated to increase the adoption among professionals over the forecast period thereby driving market growth during this period.


The industry has witnessed an increasing number of investments from major players such as Panavision Lenses Inc., Zeiss Canada Corporation Ltd., Arrival Films LLC (a joint venture between JVCKENWOOD USA Corp., Sony Corporation), Angenieux S.A.


Regional Analysis:


North America dominated the global market in 2017 owing to the presence of a large number of digital cinema owners and operators. The region has over 1,600 screens out of which around 1,000 are equipped with digital projectors. Furthermore, North America is home to several leading players such as JVCKENWOOD Corporation; Panasonic Corporation; Sony Corporation; and Samsung Group. These companies are engaged in constant efforts for upgrading their existing products as well as developing new advanced lenses for DLP technology. This factor is expected to drive regional growth over the forecast period.


Asia Pacific market was valued at USD X million in 2017 and this trend is expected to continue over the forecast period due to increasing penetration rates of digital projectors coupled with rising adoption by commercial theaters across countries such China & Japan along with other Southeast Asian nations Indonesia & Malaysia among others). Moreover, growing investments by prominent players including LG Electronics Inc.; Mitsubishi Electric Corp.; Pyeonghwa Picture Show Company Ltd.


Growth Factors:


  • Increasing demand for high quality and resolution images and videos
  • Proliferation of digital cinemas
  • Rising demand for 3D and 4K content
  • Technological advancements in lens design and manufacturing processes
  • Growing popularity of video-on-demand services

Scope Of The Report

Report Attributes

Report Details

Report Title

Digital Cinema Lens Market Research Report

By Type

Entry-class, Medium-class, High-end-class

By Application

Amateur Users, Professional Users

By Companies

Sony, Zeiss, Canon, Fujinon, TOKINA, Leica, Angenieux, Schneider, Samyang, Cooke

Regions Covered

North America, Europe, APAC, Latin America, MEA

Base Year

2021

Historical Year

2019 to 2020 (Data from 2010 can be provided as per availability)

Forecast Year

2030

Number of Pages

232

Number of Tables & Figures

163

Customization Available

Yes, the report can be customized as per your need.


Global Digital Cinema Lens Market Report Segments:

The global Digital Cinema Lens market is segmented on the basis of:

Types

Entry-class, Medium-class, High-end-class

The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.

Applications

Amateur Users, Professional Users

The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.

Some of the companies that are profiled in this report are:

  1. Sony
  2. Zeiss
  3. Canon
  4. Fujinon
  5. TOKINA
  6. Leica
  7. Angenieux
  8. Schneider
  9. Samyang
  10. Cooke

Global Digital Cinema Lens Market Overview


Highlights of The Digital Cinema Lens Market Report:

  1. The market structure and projections for the coming years.
  2. Drivers, restraints, opportunities, and current trends of Alpha Hydroxy Acid for Cosmetic Market.
  3. Historical data and forecast.
  4. Estimations for the forecast period 2030.
  5. Developments and trends in the market.
  6. By Type:

    1. Entry-class
    2. Medium-class
    3. High-end-class
  1. By Application:

    1. Amateur Users
    2. Professional Users
  1. Market scenario by region, sub-region, and country.
  2. Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
  3. Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
  4. Government Policies, Macro & Micro economic factors are also included in the report.

We have studied the Digital Cinema Lens Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.

Regional Analysis

  • North America
  • Europe
  • Asia Pacific
  • Middle East & Africa
  • Latin America

Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.

The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.

How you may use our products:

  • Correctly Positioning New Products
  • Market Entry Strategies
  • Business Expansion Strategies
  • Consumer Insights
  • Understanding Competition Scenario
  • Product & Brand Management
  • Channel & Customer Management
  • Identifying Appropriate Advertising Appeals

Global Digital Cinema Lens Market Statistics

8 Reasons to Buy This Report

  1. Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
  2. Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
  3. Implemented Robust Methodology to Prepare the Report
  4. Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
  5. Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
  6. Provides Information About the Top-winning Strategies Implemented by Industry Players.
  7. In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
  8. Customization of the Report Available
                                            
1. Executive Summary

2. Assumptions and Acronyms Used

3. Research Methodology

4. Digital Cinema Lens Market Overview
   4.1. Introduction
      4.1.1. Market Taxonomy
      4.1.2. Market Definition
   4.2. Macro-Economic Factors
      4.2.1. Industry Outlook
   4.3. Digital Cinema Lens Market Dynamics
      4.3.1. Market Drivers
      4.3.2. Market Restraints
      4.3.3. Opportunity
      4.3.4. Market Trends
   4.4. Digital Cinema Lens Market - Supply Chain
   4.5. Global Digital Cinema Lens Market Forecast
      4.5.1. Digital Cinema Lens Market Size (US$ Mn) and Y-o-Y Growth
      4.5.2. Digital Cinema Lens Market Size (000’ Units) and Y-o-Y Growth
      4.5.3. Digital Cinema Lens Market Absolute $ Opportunity

5. Global Digital Cinema Lens Market Analysis and Forecast by Type
   5.1. Market Trends
   5.2. Introduction
      5.2.1. Basis Point Share (BPS) Analysis by Type
      5.2.2. Y-o-Y Growth Projections by Type
   5.3. Digital Cinema Lens Market Size and Volume Forecast by Type
      5.3.1. Entry-class
      5.3.2. Medium-class
      5.3.3. High-end-class
   5.4. Absolute $ Opportunity Assessment by Type
   5.5. Market Attractiveness/Growth Potential Analysis by Type

6. Global Digital Cinema Lens Market Analysis and Forecast by Application
   6.1. Market Trends
   6.2. Introduction
      6.2.1. Basis Point Share (BPS) Analysis by Application
      6.2.2. Y-o-Y Growth Projections by Application
   6.3. Digital Cinema Lens Market Size and Volume Forecast by Application
      6.3.1. Amateur Users
      6.3.2. Professional Users
   6.4. Absolute $ Opportunity Assessment by Application
   6.5. Market Attractiveness/Growth Potential Analysis by Application

7. Global Digital Cinema Lens Market Analysis and Forecast by Sales Channel
   7.1. Market Trends
   7.2. Introduction
      7.2.1. Basis Point Share (BPS) Analysis by Sales Channel 
      7.2.2. Y-o-Y Growth Projections by Sales Channel
   7.3. Digital Cinema Lens Market Size and Volume Forecast by Sales Channel 
      7.3.1. Manufacturer/Distributor/Service Provider
      7.3.2. Aftermarket
   7.4. Absolute $ Opportunity Assessment by Sales Channel
   7.5. Market Attractiveness/Growth Potential Analysis by Sales Channel

8. Global Digital Cinema Lens Market Analysis and Forecast by Region
   8.1. Market Trends
   8.2. Introduction
      8.2.1. Basis Point Share (BPS) Analysis by Region
      8.2.2. Y-o-Y Growth Projections by Region
   8.3. Digital Cinema Lens Market Size and Volume Forecast by Region
      8.3.1. North America
      8.3.2. Latin America
      8.3.3. Europe
      8.3.4. Asia Pacific
      8.3.5. Middle East and Africa (MEA)
   8.4. Absolute $ Opportunity Assessment by Region
   8.5. Market Attractiveness/Growth Potential Analysis by Region
   8.6. Global Digital Cinema Lens Demand Share Forecast, 2019-2029

9. North America Digital Cinema Lens Market Analysis and Forecast
   9.1. Introduction
      9.1.1. Basis Point Share (BPS) Analysis by Country
      9.1.2. Y-o-Y Growth Projections by Country
   9.2. North America Digital Cinema Lens Market Size and Volume Forecast by Country
      9.2.1. U.S.
      9.2.2. Canada
   9.3. Absolute $ Opportunity Assessment by Country
   9.4. North America Digital Cinema Lens Market Size and Volume Forecast by Application
      9.4.1. Amateur Users
      9.4.2. Professional Users
   9.5. Basis Point Share (BPS) Analysis by Application
   9.6. Y-o-Y Growth Projections by Application
   9.7. North America Digital Cinema Lens Market Size and Volume Forecast by Type
      9.7.1. Entry-class
      9.7.2. Medium-class
      9.7.3. High-end-class
   9.8. Basis Point Share (BPS) Analysis by Type
   9.9. Y-o-Y Growth Projections by Type
   9.10. Market Attractiveness/Growth Potential Analysis
      9.10.1. By Country
      9.10.2. By Product Type
      9.10.3. By Application
      9.10.4. By Sales Channel
   9.11. North America Digital Cinema Lens Demand Share Forecast, 2019-2029

10. Latin America Digital Cinema Lens Market Analysis and Forecast
   10.1. Introduction
      10.1.1. Basis Point Share (BPS) Analysis by Country
      10.1.2. Y-o-Y Growth Projections by Country
      10.1.3. Latin America Average Pricing Analysis
   10.2. Latin America Digital Cinema Lens Market Size and Volume Forecast by Country
      10.2.1. Brazil
      10.2.2. Mexico
      10.2.3. Rest of Latin America
   10.3. Absolute $ Opportunity Assessment by Country
   10.4. Latin America Digital Cinema Lens Market Size and Volume Forecast by Application
      10.4.1. Amateur Users
      10.4.2. Professional Users
   10.5. Basis Point Share (BPS) Analysis by Application
   10.6. Y-o-Y Growth Projections by Application
   10.7. Latin America Digital Cinema Lens Market Size and Volume Forecast by Type
      10.7.1. Entry-class
      10.7.2. Medium-class
      10.7.3. High-end-class
   10.8. Basis Point Share (BPS) Analysis by Type
   10.9. Y-o-Y Growth Projections by Type
   10.10. Market Attractiveness/Growth Potential Analysis
      10.10.1. By Country
      10.10.2. By Product Type
      10.10.3. By Application
      10.10.4. By Sales Channel
   10.11. Latin America Digital Cinema Lens Demand Share Forecast, 2019-2029

11. Europe Digital Cinema Lens Market Analysis and Forecast
   11.1. Introduction
      11.1.1. Basis Point Share (BPS) Analysis by Country
      11.1.2. Y-o-Y Growth Projections by Country
      11.1.3. Europe Average Pricing Analysis
   11.2. Europe Digital Cinema Lens Market Size and Volume Forecast by Country
      11.2.1. Germany
      11.2.2. France
      11.2.3. Italy
      11.2.4. U.K.
      11.2.5. Spain
      11.2.6. Russia
      11.2.7. Rest of Europe
   11.3. Absolute $ Opportunity Assessment by Country
   11.4. Europe Digital Cinema Lens Market Size and Volume Forecast by Application
      11.4.1. Amateur Users
      11.4.2. Professional Users
   11.5. Basis Point Share (BPS) Analysis by Application
   11.6. Y-o-Y Growth Projections by Application
   11.7. Europe Digital Cinema Lens Market Size and Volume Forecast by Type
      11.7.1. Entry-class
      11.7.2. Medium-class
      11.7.3. High-end-class
   11.8. Basis Point Share (BPS) Analysis by Type
   11.9. Y-o-Y Growth Projections by Type
   11.10. Market Attractiveness/Growth Potential Analysis
      11.10.1. By Country
      11.10.2. By Product Type
      11.10.3. By Application
      11.10.4. By Sales Channel
   11.11. Europe Digital Cinema Lens Demand Share, 2019-2029

12. Asia Pacific Digital Cinema Lens Market Analysis and Forecast
   12.1. Introduction
      12.1.1. Basis Point Share (BPS) Analysis by Country
      12.1.2. Y-o-Y Growth Projections by Country
      12.1.3. Asia Pacific Average Pricing Analysis
   12.2. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Country
      12.2.1. China
      12.2.2. Japan
      12.2.3. South Korea
      12.2.4. India
      12.2.5. Australia
      12.2.6. Rest of Asia Pacific (APAC)
   12.3. Absolute $ Opportunity Assessment by Country
   12.4. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Application
      12.4.1. Amateur Users
      12.4.2. Professional Users
   12.5. Basis Point Share (BPS) Analysis by Application
   12.6. Y-o-Y Growth Projections by Application
   12.7. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Type
      12.7.1. Entry-class
      12.7.2. Medium-class
      12.7.3. High-end-class
   12.8. Basis Point Share (BPS) Analysis by Type
   12.9. Y-o-Y Growth Projections by Type
   12.10. Market Attractiveness/Growth Potential Analysis
      12.10.1. By Country
      12.10.2. By Product Type
      12.10.3. By Application
      12.10.4. By Sales Channel
   12.11. Asia Pacific Digital Cinema Lens Demand Share, 2019-2029

13. Middle East & Africa Digital Cinema Lens Market Analysis and Forecast
   13.1. Introduction
      13.1.1. Basis Point Share (BPS) Analysis by Country
      13.1.2. Y-o-Y Growth Projections by Country
      13.1.3. Asia Pacific Average Pricing Analysis
   13.2. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Country
      13.2.1. Saudi Arabia
      13.2.2. South Africa
      13.2.3. UAE
      13.2.4. Rest of Middle East & Africa (MEA)
   13.3. Absolute $ Opportunity Assessment by Country
   13.4. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Application
      13.4.1. Amateur Users
      13.4.2. Professional Users
   13.5. Basis Point Share (BPS) Analysis by Application
   13.6. Y-o-Y Growth Projections by Application
   13.7. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Type
      13.7.1. Entry-class
      13.7.2. Medium-class
      13.7.3. High-end-class
   13.8. Basis Point Share (BPS) Analysis by Type
   13.9. Y-o-Y Growth Projections by Type
   13.10. Market Attractiveness/Growth Potential Analysis
      13.10.1. By Country
      13.10.2. By Product Type
      13.10.3. By Application
      13.10.4. By Sales Channel
   13.11. Middle East & Africa Digital Cinema Lens Demand Share, 2019-2029

14. Competition Landscape
   14.1. Global Digital Cinema Lens Market: Market Share Analysis
   14.2. Digital Cinema Lens Distributors and Customers
   14.3. Digital Cinema Lens Market: Competitive Dashboard
   14.4. Company Profiles (Details – Overview, Financials, Developments, Strategy) 
      14.4.1. Sony
         14.4.1.1. Overview
         14.4.1.2. Financials
         14.4.1.3. Developments
         14.4.1.4. Strategic Outlook
      14.4.2. Zeiss
         14.4.2.1. Overview
         14.4.2.2. Financials
         14.4.2.3. Developments
         14.4.2.4. Strategic Outlook
      14.4.3. Canon
         14.4.3.1. Overview
         14.4.3.2. Financials
         14.4.3.3. Developments
         14.4.3.4. Strategic Outlook
      14.4.4. Fujinon
         14.4.4.1. Overview
         14.4.4.2. Financials
         14.4.4.3. Developments
         14.4.4.4. Strategic Outlook
      14.4.5. TOKINA
         14.4.5.1. Overview
         14.4.5.2. Financials
         14.4.5.3. Developments
         14.4.5.4. Strategic Outlook
      14.4.6. Leica
         14.4.6.1. Overview
         14.4.6.2. Financials
         14.4.6.3. Developments
         14.4.6.4. Strategic Outlook
      14.4.7. Angenieux
         14.4.7.1. Overview
         14.4.7.2. Financials
         14.4.7.3. Developments
         14.4.7.4. Strategic Outlook
      14.4.8. Schneider
         14.4.8.1. Overview
         14.4.8.2. Financials
         14.4.8.3. Developments
         14.4.8.4. Strategic Outlook
      14.4.9. Samyang
         14.4.9.1. Overview
         14.4.9.2. Financials
         14.4.9.3. Developments
         14.4.9.4. Strategic Outlook
      14.4.10. Cooke
         14.4.10.1. Overview
         14.4.10.2. Financials
         14.4.10.3. Developments
         14.4.10.4. Strategic Outlook
      14.4.11. COMPANY 11
         14.4.11.1. Overview
         14.4.11.2. Financials
         14.4.11.3. Developments
         14.4.11.4. Strategic Outlook
      14.4.12. COMPANY 12
         14.4.12.1. Overview
         14.4.12.2. Financials
         14.4.12.3. Developments
         14.4.12.4. Strategic Outlook
      14.4.13. COMPANY 13
         14.4.13.1. Overview
         14.4.13.2. Financials
         14.4.13.3. Developments
         14.4.13.4. Strategic Outlook
      14.4.14. COMPANY 14
         14.4.14.1. Overview
         14.4.14.2. Financials
         14.4.14.3. Developments
         14.4.14.4. Strategic Outlook
      14.4.15. COMPANY 15
         14.4.15.1. Overview
         14.4.15.2. Financials
         14.4.15.3. Developments
         14.4.15.4. Strategic Outlook
      14.4.16. COMPANY 16
         14.4.16.1. Overview
         14.4.16.2. Financials
         14.4.16.3. Developments
         14.4.16.4. Strategic Outlook
      14.4.17. COMPANY 17
         14.4.17.1. Overview
         14.4.17.2. Financials
         14.4.17.3. Developments
         14.4.17.4. Strategic Outlook
      14.4.18. COMPANY 18
         14.4.18.1. Overview
         14.4.18.2. Financials
         14.4.18.3. Developments
         14.4.18.4. Strategic Outlook
      14.4.19. COMPANY 19
         14.4.19.1. Overview
         14.4.19.2. Financials
         14.4.19.3. Developments
         14.4.19.4. Strategic Outlook
      14.4.20. COMPANY 20
         14.4.20.1. Overview
         14.4.20.2. Financials
         14.4.20.3. Developments
         14.4.20.4. Strategic Outlook

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