Market Overview:
The global digital cinema lens market is expected to grow at a CAGR of 5.5% during the forecast period from 2018 to 2030. The growth in the market can be attributed to the increasing demand for high-quality images and videos across different applications, such as amateur users and professional users. Additionally, the growing adoption of digital cinemas in emerging countries is also contributing to the growth of this market. Based on type, the global digital cinema lens market can be segmented into entry-class, medium-class, and high-end class lenses. The entry-class segment is projected to register highest CAGR during the forecast period owing to its low cost and wide availability.
Product Definition:
A digital cinema lens is a high-end lens specifically designed for digital cinematography. They are typically characterized by their large image circle, which allows them to cover the entire Super 35mm frame, and their ability to focus accurately to infinity. Digital cinema lenses have become increasingly popular in recent years as the quality of digital cameras has improved, and they are now often used in place of traditional film lenses on high-end productions.
Entry-class:
Entry-class is the first rung on the ladder of cinema lens. It's a simple, inexpensive and widely available type of optics that can be used to capture video or still images from almost any source. The growth factor in digital cinema lens market is Entry-class Lens Market Size, by Application (Film & Video Production, Filmmaking), by Region (North America: U.S.
Medium-class:
The term medium-class has been used to define the range of lenses from 16mm to 400mm. It is a generalization and can be applied to any lens, regardless of its make or size. The most important aspect of this range for digital cinema is that they cover the focal length required for film making (35mm).
Medium-class lenses are those preferred when apertures between f/2.8 and f/5.6 are sufficient; i.e.
Application Insights:
Amateur users segment held the largest share of over 70.0% in 2017. The professional use of digital cinema lenses is expected to drive the demand for these products as they offer various advantages including a shallow depth-of-field, high resolution and clarity, and a wide field of view compared to traditional film cameras. Furthermore, these products are lightweight and can be mounted on any type of camera including smartphones which makes them highly portable. These factors are anticipated to increase the adoption among professionals over the forecast period thereby driving market growth during this period.
The industry has witnessed an increasing number of investments from major players such as Panavision Lenses Inc., Zeiss Canada Corporation Ltd., Arrival Films LLC (a joint venture between JVCKENWOOD USA Corp., Sony Corporation), Angenieux S.A.
Regional Analysis:
North America dominated the global market in 2017 owing to the presence of a large number of digital cinema owners and operators. The region has over 1,600 screens out of which around 1,000 are equipped with digital projectors. Furthermore, North America is home to several leading players such as JVCKENWOOD Corporation; Panasonic Corporation; Sony Corporation; and Samsung Group. These companies are engaged in constant efforts for upgrading their existing products as well as developing new advanced lenses for DLP technology. This factor is expected to drive regional growth over the forecast period.
Asia Pacific market was valued at USD X million in 2017 and this trend is expected to continue over the forecast period due to increasing penetration rates of digital projectors coupled with rising adoption by commercial theaters across countries such China & Japan along with other Southeast Asian nations Indonesia & Malaysia among others). Moreover, growing investments by prominent players including LG Electronics Inc.; Mitsubishi Electric Corp.; Pyeonghwa Picture Show Company Ltd.
Growth Factors:
- Increasing demand for high quality and resolution images and videos
- Proliferation of digital cinemas
- Rising demand for 3D and 4K content
- Technological advancements in lens design and manufacturing processes
- Growing popularity of video-on-demand services
Scope Of The Report
Report Attributes
Report Details
Report Title
Digital Cinema Lens Market Research Report
By Type
Entry-class, Medium-class, High-end-class
By Application
Amateur Users, Professional Users
By Companies
Sony, Zeiss, Canon, Fujinon, TOKINA, Leica, Angenieux, Schneider, Samyang, Cooke
Regions Covered
North America, Europe, APAC, Latin America, MEA
Base Year
2021
Historical Year
2019 to 2020 (Data from 2010 can be provided as per availability)
Forecast Year
2030
Number of Pages
232
Number of Tables & Figures
163
Customization Available
Yes, the report can be customized as per your need.
Global Digital Cinema Lens Market Report Segments:
The global Digital Cinema Lens market is segmented on the basis of:
Types
Entry-class, Medium-class, High-end-class
The product segment provides information about the market share of each product and the respective CAGR during the forecast period. It lays out information about the product pricing parameters, trends, and profits that provides in-depth insights of the market. Furthermore, it discusses latest product developments & innovation in the market.
Applications
Amateur Users, Professional Users
The application segment fragments various applications of the product and provides information on the market share and growth rate of each application segment. It discusses the potential future applications of the products and driving and restraining factors of each application segment.
Some of the companies that are profiled in this report are:
- Sony
- Zeiss
- Canon
- Fujinon
- TOKINA
- Leica
- Angenieux
- Schneider
- Samyang
- Cooke
Highlights of The Digital Cinema Lens Market Report:
- The market structure and projections for the coming years.
- Drivers, restraints, opportunities, and current trends of market.
- Historical data and forecast.
- Estimations for the forecast period 2030.
- Developments and trends in the market.
- By Type:
- Entry-class
- Medium-class
- High-end-class
- By Application:
- Amateur Users
- Professional Users
- Market scenario by region, sub-region, and country.
- Market share of the market players, company profiles, product specifications, SWOT analysis, and competitive landscape.
- Analysis regarding upstream raw materials, downstream demand, and current market dynamics.
- Government Policies, Macro & Micro economic factors are also included in the report.
We have studied the Digital Cinema Lens Market in 360 degrees via. both primary & secondary research methodologies. This helped us in building an understanding of the current market dynamics, supply-demand gap, pricing trends, product preferences, consumer patterns & so on. The findings were further validated through primary research with industry experts & opinion leaders across countries. The data is further compiled & validated through various market estimation & data validation methodologies. Further, we also have our in-house data forecasting model to predict market growth up to 2030.
Regional Analysis
- North America
- Europe
- Asia Pacific
- Middle East & Africa
- Latin America
Note: A country of choice can be added in the report at no extra cost. If more than one country needs to be added, the research quote will vary accordingly.
The geographical analysis part of the report provides information about the product sales in terms of volume and revenue in regions. It lays out potential opportunities for the new entrants, emerging players, and major players in the region. The regional analysis is done after considering the socio-economic factors and government regulations of the countries in the regions.
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- Correctly Positioning New Products
- Market Entry Strategies
- Business Expansion Strategies
- Consumer Insights
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- Product & Brand Management
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8 Reasons to Buy This Report
- Includes a Chapter on the Impact of COVID-19 Pandemic On the Market
- Report Prepared After Conducting Interviews with Industry Experts & Top Designates of the Companies in the Market
- Implemented Robust Methodology to Prepare the Report
- Includes Graphs, Statistics, Flowcharts, and Infographics to Save Time
- Industry Growth Insights Provides 24/5 Assistance Regarding the Doubts in the Report
- Provides Information About the Top-winning Strategies Implemented by Industry Players.
- In-depth Insights On the Market Drivers, Restraints, Opportunities, and Threats
- Customization of the Report Available
Frequently Asked Questions?
A digital cinema lens is a specialized type of camera lens that captures high-definition video or still images. These lenses are designed to capture the most accurate and detailed images possible, making them ideal for use in motion pictures and video productions.
Some of the major players in the digital cinema lens market are Sony, Zeiss, Canon, Fujinon, TOKINA, Leica, Angenieux, Schneider, Samyang, Cooke.
The digital cinema lens market is expected to grow at a compound annual growth rate of 5.5%.
1. Executive Summary
2. Assumptions and Acronyms Used
3. Research Methodology
4. Digital Cinema Lens Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. Digital Cinema Lens Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. Digital Cinema Lens Market - Supply Chain
4.5. Global Digital Cinema Lens Market Forecast
4.5.1. Digital Cinema Lens Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. Digital Cinema Lens Market Size (000 Units) and Y-o-Y Growth
4.5.3. Digital Cinema Lens Market Absolute $ Opportunity
5. Global Digital Cinema Lens Market Analysis and Forecast by Type
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Type
5.2.2. Y-o-Y Growth Projections by Type
5.3. Digital Cinema Lens Market Size and Volume Forecast by Type
5.3.1. Entry-class
5.3.2. Medium-class
5.3.3. High-end-class
5.4. Absolute $ Opportunity Assessment by Type
5.5. Market Attractiveness/Growth Potential Analysis by Type
6. Global Digital Cinema Lens Market Analysis and Forecast by Application
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Application
6.2.2. Y-o-Y Growth Projections by Application
6.3. Digital Cinema Lens Market Size and Volume Forecast by Application
6.3.1. Amateur Users
6.3.2. Professional Users
6.4. Absolute $ Opportunity Assessment by Application
6.5. Market Attractiveness/Growth Potential Analysis by Application
7. Global Digital Cinema Lens Market Analysis and Forecast by Sales Channel
7.1. Market Trends
7.2. Introduction
7.2.1. Basis Point Share (BPS) Analysis by Sales Channel
7.2.2. Y-o-Y Growth Projections by Sales Channel
7.3. Digital Cinema Lens Market Size and Volume Forecast by Sales Channel
7.3.1. Manufacturer/Distributor/Service Provider
7.3.2. Aftermarket
7.4. Absolute $ Opportunity Assessment by Sales Channel
7.5. Market Attractiveness/Growth Potential Analysis by Sales Channel
8. Global Digital Cinema Lens Market Analysis and Forecast by Region
8.1. Market Trends
8.2. Introduction
8.2.1. Basis Point Share (BPS) Analysis by Region
8.2.2. Y-o-Y Growth Projections by Region
8.3. Digital Cinema Lens Market Size and Volume Forecast by Region
8.3.1. North America
8.3.2. Latin America
8.3.3. Europe
8.3.4. Asia Pacific
8.3.5. Middle East and Africa (MEA)
8.4. Absolute $ Opportunity Assessment by Region
8.5. Market Attractiveness/Growth Potential Analysis by Region
8.6. Global Digital Cinema Lens Demand Share Forecast, 2019-2029
9. North America Digital Cinema Lens Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.2. North America Digital Cinema Lens Market Size and Volume Forecast by Country
9.2.1. U.S.
9.2.2. Canada
9.3. Absolute $ Opportunity Assessment by Country
9.4. North America Digital Cinema Lens Market Size and Volume Forecast by Application
9.4.1. Amateur Users
9.4.2. Professional Users
9.5. Basis Point Share (BPS) Analysis by Application
9.6. Y-o-Y Growth Projections by Application
9.7. North America Digital Cinema Lens Market Size and Volume Forecast by Type
9.7.1. Entry-class
9.7.2. Medium-class
9.7.3. High-end-class
9.8. Basis Point Share (BPS) Analysis by Type
9.9. Y-o-Y Growth Projections by Type
9.10. Market Attractiveness/Growth Potential Analysis
9.10.1. By Country
9.10.2. By Product Type
9.10.3. By Application
9.10.4. By Sales Channel
9.11. North America Digital Cinema Lens Demand Share Forecast, 2019-2029
10. Latin America Digital Cinema Lens Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Latin America Average Pricing Analysis
10.2. Latin America Digital Cinema Lens Market Size and Volume Forecast by Country
10.2.1. Brazil
10.2.2. Mexico
10.2.3. Rest of Latin America
10.3. Absolute $ Opportunity Assessment by Country
10.4. Latin America Digital Cinema Lens Market Size and Volume Forecast by Application
10.4.1. Amateur Users
10.4.2. Professional Users
10.5. Basis Point Share (BPS) Analysis by Application
10.6. Y-o-Y Growth Projections by Application
10.7. Latin America Digital Cinema Lens Market Size and Volume Forecast by Type
10.7.1. Entry-class
10.7.2. Medium-class
10.7.3. High-end-class
10.8. Basis Point Share (BPS) Analysis by Type
10.9. Y-o-Y Growth Projections by Type
10.10. Market Attractiveness/Growth Potential Analysis
10.10.1. By Country
10.10.2. By Product Type
10.10.3. By Application
10.10.4. By Sales Channel
10.11. Latin America Digital Cinema Lens Demand Share Forecast, 2019-2029
11. Europe Digital Cinema Lens Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Europe Average Pricing Analysis
11.2. Europe Digital Cinema Lens Market Size and Volume Forecast by Country
11.2.1. Germany
11.2.2. France
11.2.3. Italy
11.2.4. U.K.
11.2.5. Spain
11.2.6. Russia
11.2.7. Rest of Europe
11.3. Absolute $ Opportunity Assessment by Country
11.4. Europe Digital Cinema Lens Market Size and Volume Forecast by Application
11.4.1. Amateur Users
11.4.2. Professional Users
11.5. Basis Point Share (BPS) Analysis by Application
11.6. Y-o-Y Growth Projections by Application
11.7. Europe Digital Cinema Lens Market Size and Volume Forecast by Type
11.7.1. Entry-class
11.7.2. Medium-class
11.7.3. High-end-class
11.8. Basis Point Share (BPS) Analysis by Type
11.9. Y-o-Y Growth Projections by Type
11.10. Market Attractiveness/Growth Potential Analysis
11.10.1. By Country
11.10.2. By Product Type
11.10.3. By Application
11.10.4. By Sales Channel
11.11. Europe Digital Cinema Lens Demand Share, 2019-2029
12. Asia Pacific Digital Cinema Lens Market Analysis and Forecast
12.1. Introduction
12.1.1. Basis Point Share (BPS) Analysis by Country
12.1.2. Y-o-Y Growth Projections by Country
12.1.3. Asia Pacific Average Pricing Analysis
12.2. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Country
12.2.1. China
12.2.2. Japan
12.2.3. South Korea
12.2.4. India
12.2.5. Australia
12.2.6. Rest of Asia Pacific (APAC)
12.3. Absolute $ Opportunity Assessment by Country
12.4. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Application
12.4.1. Amateur Users
12.4.2. Professional Users
12.5. Basis Point Share (BPS) Analysis by Application
12.6. Y-o-Y Growth Projections by Application
12.7. Asia Pacific Digital Cinema Lens Market Size and Volume Forecast by Type
12.7.1. Entry-class
12.7.2. Medium-class
12.7.3. High-end-class
12.8. Basis Point Share (BPS) Analysis by Type
12.9. Y-o-Y Growth Projections by Type
12.10. Market Attractiveness/Growth Potential Analysis
12.10.1. By Country
12.10.2. By Product Type
12.10.3. By Application
12.10.4. By Sales Channel
12.11. Asia Pacific Digital Cinema Lens Demand Share, 2019-2029
13. Middle East & Africa Digital Cinema Lens Market Analysis and Forecast
13.1. Introduction
13.1.1. Basis Point Share (BPS) Analysis by Country
13.1.2. Y-o-Y Growth Projections by Country
13.1.3. Asia Pacific Average Pricing Analysis
13.2. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Country
13.2.1. Saudi Arabia
13.2.2. South Africa
13.2.3. UAE
13.2.4. Rest of Middle East & Africa (MEA)
13.3. Absolute $ Opportunity Assessment by Country
13.4. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Application
13.4.1. Amateur Users
13.4.2. Professional Users
13.5. Basis Point Share (BPS) Analysis by Application
13.6. Y-o-Y Growth Projections by Application
13.7. Middle East & Africa Digital Cinema Lens Market Size and Volume Forecast by Type
13.7.1. Entry-class
13.7.2. Medium-class
13.7.3. High-end-class
13.8. Basis Point Share (BPS) Analysis by Type
13.9. Y-o-Y Growth Projections by Type
13.10. Market Attractiveness/Growth Potential Analysis
13.10.1. By Country
13.10.2. By Product Type
13.10.3. By Application
13.10.4. By Sales Channel
13.11. Middle East & Africa Digital Cinema Lens Demand Share, 2019-2029
14. Competition Landscape
14.1. Global Digital Cinema Lens Market: Market Share Analysis
14.2. Digital Cinema Lens Distributors and Customers
14.3. Digital Cinema Lens Market: Competitive Dashboard
14.4. Company Profiles (Details Overview, Financials, Developments, Strategy)
14.4.1. Sony
14.4.1.1. Overview
14.4.1.2. Financials
14.4.1.3. Developments
14.4.1.4. Strategic Outlook
14.4.2. Zeiss
14.4.2.1. Overview
14.4.2.2. Financials
14.4.2.3. Developments
14.4.2.4. Strategic Outlook
14.4.3. Canon
14.4.3.1. Overview
14.4.3.2. Financials
14.4.3.3. Developments
14.4.3.4. Strategic Outlook
14.4.4. Fujinon
14.4.4.1. Overview
14.4.4.2. Financials
14.4.4.3. Developments
14.4.4.4. Strategic Outlook
14.4.5. TOKINA
14.4.5.1. Overview
14.4.5.2. Financials
14.4.5.3. Developments
14.4.5.4. Strategic Outlook
14.4.6. Leica
14.4.6.1. Overview
14.4.6.2. Financials
14.4.6.3. Developments
14.4.6.4. Strategic Outlook
14.4.7. Angenieux
14.4.7.1. Overview
14.4.7.2. Financials
14.4.7.3. Developments
14.4.7.4. Strategic Outlook
14.4.8. Schneider
14.4.8.1. Overview
14.4.8.2. Financials
14.4.8.3. Developments
14.4.8.4. Strategic Outlook
14.4.9. Samyang
14.4.9.1. Overview
14.4.9.2. Financials
14.4.9.3. Developments
14.4.9.4. Strategic Outlook
14.4.10. Cooke
14.4.10.1. Overview
14.4.10.2. Financials
14.4.10.3. Developments
14.4.10.4. Strategic Outlook
14.4.11. COMPANY 11
14.4.11.1. Overview
14.4.11.2. Financials
14.4.11.3. Developments
14.4.11.4. Strategic Outlook
14.4.12. COMPANY 12
14.4.12.1. Overview
14.4.12.2. Financials
14.4.12.3. Developments
14.4.12.4. Strategic Outlook
14.4.13. COMPANY 13
14.4.13.1. Overview
14.4.13.2. Financials
14.4.13.3. Developments
14.4.13.4. Strategic Outlook
14.4.14. COMPANY 14
14.4.14.1. Overview
14.4.14.2. Financials
14.4.14.3. Developments
14.4.14.4. Strategic Outlook
14.4.15. COMPANY 15
14.4.15.1. Overview
14.4.15.2. Financials
14.4.15.3. Developments
14.4.15.4. Strategic Outlook
14.4.16. COMPANY 16
14.4.16.1. Overview
14.4.16.2. Financials
14.4.16.3. Developments
14.4.16.4. Strategic Outlook
14.4.17. COMPANY 17
14.4.17.1. Overview
14.4.17.2. Financials
14.4.17.3. Developments
14.4.17.4. Strategic Outlook
14.4.18. COMPANY 18
14.4.18.1. Overview
14.4.18.2. Financials
14.4.18.3. Developments
14.4.18.4. Strategic Outlook
14.4.19. COMPANY 19
14.4.19.1. Overview
14.4.19.2. Financials
14.4.19.3. Developments
14.4.19.4. Strategic Outlook
14.4.20. COMPANY 20
14.4.20.1. Overview
14.4.20.2. Financials
14.4.20.3. Developments
14.4.20.4. Strategic Outlook
